Showing posts with label The Lunchbox. Show all posts
Showing posts with label The Lunchbox. Show all posts

Monday, July 13, 2015

Most Inspiring Films 2014




I have been blessed to write about movies that highlight diverse cultures creating an understanding that we are all more alike than different. Lately, I’ve felt an urgent need since the media has been so aggressive in fostering fear to divide us. It has been my honor to spotlight directors like Niki Caro (“Whale Rider”, “McFarland USA”). In an interview with Bryan Abrams, Niki ruminated on her vision, “Basically, all I do is light up what I think is beautiful.” For my “Most Inspiring Films 2014” list, I have chosen films that illuminate our shared humanity and cast light on the important issues of our time.

Enjoy!


14) “Spare Parts,” is the true story of four poor undocumented high school students’ courage and determination to pursue a better life by competing against the country’s best robotic teams. These teens persevere despite daunting challenges of: supporting a family, protecting a delinquent brother, being tracked down by ICE (Immigration and Customs Enforcement), being homeless, and constant fear of being deported. It is inspiring (and funny!) watching them figure out how to make an underwater robot with an $800 budget, PVC piping and other “spare parts.”




13) When the Kadam family loses their mother and their restaurant in a political riot, they flee India for France. Papa Kadam sees it as a sign when their brakes give out outside of Saint-Antonin-Noble-Val and he sets up the town’s first Indian restaurant featuring his talented son Hassan as head cook. A rivalry breaks out between Papa Kadam and Madame Mallory, the owner of the acclaimed French restaurant across the street. An aspiring chef, Hassan longs to take the “The Hundred-Foot Journey” to learn from Madame Mallory. Can their shared passion for food bridge their cultural differences? This film is a foodie’s feel good paradise. But more than that – it touches on our fear of outsiders and celebrates what immigrants bring to their host country. The very act of sharing cultural traditions removes the barriers that separate us.

12) “Welcome to Me,” opens with Alice Klieg affirming along with Oprah, “Everybody comes to our beautiful planet Earth to do something great, something unique, something that only you were born to do.” When she wins 86 million dollars in the lottery, she fulfills her purpose by hiring an infomercial company to produce her talk show – about herself. What appears to be a vanity project is really about wanting to be seen and understood. In a cooking demonstration, she “bakes” a meat cake from her high protein diet to share how she is capable of controlling her illness (currently called borderline personality disorder) without depending on mind-numbing meds. I love the way “Welcome to Me” shows that someone with mental illness is capable of having a caring relationship and is worthy of love. They have positive traits and talents we can admire. This movie does much to create understanding of mental illness and raises questions about how we as a society deal with it.


  11) Despite having a loving girlfriend who finds his OCD rituals endearing, Hector is feeling increasing dissatisfied with his life and work as a psychiatrist. He realizes that his patients aren’t getting any happier and sets off on a journey to find out what makes us happy. Traveling along with “Hector and the Search for Happiness” on this picturesque journey across the world, we glean important spiritual lessons from his experiences.

10) “The Lunchbox” delivers a bitter-sweet “slice of life,” spiced with pinches of humor. The story was inspired by the Babbawala, a 125 year-old tradition of delivering tiffin lunches from homes to the work place. The lunchboxes represent the countless generic Mumbai workers who cram onto trains to commute to their jobs every day. In fact, the lunchboxes make the same commute. Famous for its efficiency, it is said that only one in a million lunchboxes is ever lost. When a lonely house wife attempts to win her husband’s love by sending him a special lunch, it ends up in the hands of a grouchy widower who just wants to be left alone until his imminent retirement. The miraculous appearance of that special lunch nudges him out of his solitude. These two lonely people, lost in the modern world, connect over a good meal and details of their lives scribbled on scraps of paper.


9) “Interstellar” touches on a dire concern of our time: the denial of science. As a result, the earth has become unable to sustain human life since all the crops (except for one variety of corn) have been wiped out by the blight. History has been rewritten to exclude the moon landing because it is thought of as a waste of time, effort, and resources. NASA was dropped with the economic collapse. Former astronaut Cooper mourns the loss, “We used to look up at the sky and wonder about our place in the stars, now we just look down and wonder about our place in the earth.” Fortunately, NASA went underground and may be humanity’s only hope. Cooper is forced to make the heart wrenching decision between staying to comfort his children during their last days, or heading to space on the slim chance that he can find another planet that is habitable. We watch breathlessly as the crew blasts off into space. Time itself is nonlinear as we shoot through the wormhole to explore another galaxy with them. Nolan challenges the recent political travesty that science is expendable by staying true to established physical laws.


8) “Still Alice,” is the poignant story of a brilliant linguist (Oscar winner Julianne Moore) who recognizes that she is losing her ability to understand the meaning of even simple words. That awareness is the painful part. She sees her identity fading away and can’t bear the idea of living as a shell of her former self. She fights to hold on to her connection with her precious words, her loved ones, and her life. She comes to the realization that she must live in the present and enjoy her last moments with her family because, “This might be the last year that I am totally myself.” In a heart-wrenching scene, she pleads with her husband to spend time with her now while she is still present, while she is “Still Alice.”

7) “McFarland USA” is based on the true story of a group of poor migrant Mexican-American farm workers who become champion runners with the encouragement of Coach White. Immersed in their culture, home life, and community, we start to really care about these kids. The migrant workers in McFarland epitomize the American Dream in their struggle to make a better life for their children. But they create their own version by balancing work, family and community. Using the incredible strength it takes to work long hours in the fields, go to school, and then run 8-10 miles a day, the teens learn that they can accomplish anything.

6) I was deeply moved by this powerful documentary on how our farm workers are treated in this country. The people who harvest our food work a brutal 13 hour day, and still don’t make enough to adequately feed and house their families. This movie shows the courageous efforts of a group of farm workers who are rallying support for "Fair Food." This organization is standing up to grocery store chains demanding that they pay enough to provide workers a living wage. “Food Chains” does an admirable job creating awareness of one of the most important humanitarian issues of our time and clearly explaining what we can do to correct it.

5) While grieving the death of her husband, Amelia struggles to raise a son with behavioral issues. Since the tragedy, her son Samuel’s childhood fears have intensified. Checking for monsters under the bed and in the closet has become a nightly ritual. The situation gets worse when a children’s Gothic picture book called “Mister Babadook” pops up. The familiar domestic scene of reading a bedtime story is infused with a sense of dread. The book unleashes an evil being that only Samuel can see - “The Babadook.” As his behavior becomes more erratic and violent, mother and son become isolated from family, friends, or any kind of support system. Tired to the bones, Amelia grows seriously depressed. This is a different kind of horror film where shocking violence is replaced by artistry and authentic emotions. Societal taboos are challenged by showing a woman’s inner world and by shining a flashlight on the dark side of motherhood.



4) Supported by his wife Lélia, Sabastiao Salgado dedicated his life to traveling the globe as a witness to the slave conditions in Brazil’s Serra Pelada gold mines, famine in Ethiopia, and genocide in Rwanda. His harrowingly beautiful photographs of the people he thought of as “The Salt of the Earth,” called worldwide attention to some of the most horrific atrocities of mankind. Devastated by that cruelty, he returned to his family farm in the Brazilian rainforest only to find that drought had savaged the land. He and his wife Lélia decided to replant the rain-forest.

3) In 1761, Dido Elizabeth Belle was born the daughter of a British slave and Captain Sir John Lindsay. She was raised by aristocratic grandparents with the privileges afforded one of noble blood. What makes this story so incredible is that her beloved grandfather was the justice of the appeals court that officiated an insurance dispute by the captain of the slave ship Zong - a case that may have led to the emancipation of British slaves. “Belle” is dressed up as a lavish historical costume drama, embroidered with romance, its delicate fabric interwoven with threads of relevant themes. It inspires hope with its theme, “What is right can never be impossible.”



2) Unable to find a job in this economy, Lou Bloom is desperate to make a living. He has been sold the American Dream and will do anything to get it. He happens onto a profitable way to make a living – as a “nightcrawler” videotaping gruesome crime scenes for the local news.  The news manipulates wealthy consumers’ fears by showing urban crime creeping into their suburbs. The best-selling images are bloody carjackings and home invasions by minorities. The movie becomes more frightening as we discover that Bloom will do absolutely anything to get the money shot. His homeless “intern” isn’t a person to Bloom at all, but a means to make money. Bloom doesn't take care of his one employee, but puts him in the line of fire. Through the intern’s eyes we see and feel the danger as their red Challenger recklessly speeds to the next crime scene. "Nightcrawler” is more than a thriller, it’s a fable about the American Dream. It’s a metaphor for an important theme in politics today: profit vs. humanity.

1) African-Americans were humiliated, threatened with losing their jobs, beaten or even killed for attempting to vote in the South. A group of civil rights activists, including Martin Luther King, decide to fight for the unobstructed right to vote. When their peaceful demonstrations are met with violence by the police, the community rallies together to organize a non-violent march from “Selma.” I was deeply moved by the image of marchers from diverse religions, black and white, standing together against injustice and inhumanity.


This has been such a great year for films! I chose movies that stayed with me and continue to inspire me - films that moved me to write about them. I also recommend Foreign Language Film Nominees: “Tangerines,” “Timbuktu,” and Oscar winner, “Ida as masterful works of art that explore the devastating impact of war and religious intolerance.

What are your favorite inspiring films of 2014? I would love to hear about them. Feel free to share films or your thoughts in the comment section below.

Movie blessings from 2014!
Jana Segal
www.reelinspiration.blogspot.com

Thursday, April 02, 2015

Savoring "The Lunchbox"


The Lunchbox” is a breakthrough film for India because it steers clear of the usual showstopper musical numbers and emoting melodrama popular in Bollywood productions. Instead, it delivers a taste of bitter-sweet “slice of life,” spiced with pinches of humor. Multiple layers are delivered in the tiffin lunchbox.

Director/Writer Ritesh Batra started off doing research for a documentary on the Babbawala, the 125 year-old tradition of delivering tiffin lunches from homes and restaurants to the work place. The lunchboxes represent the countless generic Mumbia workers who cram onto trains to commute to their jobs every day. In fact, the lunchboxes make the same commute. Famous for its efficiency, it is said that only one in a million lunchboxes is ever lost. That story is told in, “The Lunchbox.”


Ila (Nimrat Kaur), a lonely housewife, takes her auntie’s advice and recipe (shouted down from the apartment above) to win her husband’s love by sending a very special meal in his lunchbox. When it comes back empty, Ila anxiously awaits his return. When he says that it was OK, that the cauliflower was very good; she realizes that someone else has eaten the meal and sends a note thanking the stranger for the compliment of “licking it clean.” She also sends along her husband’s favorite dish. The lunchbox is delivered to Saajan (Irrfan Khan), a grouchy widower, who only wants to be left alone until his imminent retirement. He uses the excuse of going to lunch to avoid teaching his eager protégé (Nawazuddin Siddiqui). The lunchbox is returned empty with a note saying only that there was too much salt. Auntie (the voice of Bharatic Achekar) isn’t having any of his rudeness, and sends down a basket full of hot chilis to include in the next day’s lunch.

Auntie’s little lesson succeeds in teaching him empathy for others. To relieve his burning mouth, Saajan buys a banana from a street vendor and notices that other employees can only afford a banana for lunch. When he sees that his pesky protégé only has a banana and apple for lunch, he ends up sharing his precious lunch with him.

Is it a miracle or just an error that the lunchbox was delivered to the wrong address? It is certainly a miracle that these two lonely people, lost in the modern world, connect over a good meal and details of their lives scribbled on scraps of paper. The director sets up hints of a miracle with magic realistic flourishes - like the fly that connects their two worlds. In the scene transition, the director cuts from Saajan swatting the pesky fly in the marketplace to Ila swatting one at home.

This same device is used with ceiling fans. Ila tells how Auntie’s husband had been in a coma for 15 years. One day he woke up and started staring at the oriental ceiling fan. Ever since he has stared at that fan all day, every day. He wakes up in the morning and stares at the fan. One day the power goes off causing the fan to stop and uncle’s heart slowed down. Auntie believes it is the fan that keeps him alive, so she has a generator installed that day. As Saajan reads about it, the power goes off at work and all the ceiling fans stop. It is a shared metaphor for being trapped in a meaningless existence. “Uncle Deshpande stares at his fan. My husband stares at his phone as if nothing else exists. Maybe nothing else does.” Saajan writes back that things have changed since her uncle was a worker. “Everyone works so they can have what everyone else does. If Mr. Deshpande woke up and went to work these days, he would go back to his ceiling fan.” 

The rush-hour commute represents how people are too busy working to enjoy the simple pleasures of life. Their motivation flashes by on billboards – like the billboard that honors those who excel at the university. But if you pause to look closer, you will see that the honorees don’t look happy. Everyday, the lunchboxes commute like the workers. This lunchtime ritual is the highlight of their day when workers get a taste of home or at least of the old ways. The miraculous appearance of that special lunch nudges Saajan out of his solitude. His protégé’s expression of pleasure for the wonderful lunches teaches Saajan to appreciate them too. During the crowded train commute, the protégé finds a way to enjoy more time with his girlfriend by cutting the vegetables for their dinner.

When things become unbearable with her distant husband, Ila writes Saajan about moving to a place her daughter heard of in school. She shares her fantasy with Saajan. “In Bhutan everyone is happy. They don’t have Gross Domestic Product, only Gross National Happiness.” Saajan tells his protégé that he is thinking of going to Bhutan, rather than the retirement town of Nasik. His protégé responds that he has only been to Saudi Arabia, but, “Sometimes the wrong train will get you to the right station.”

This time the wrong train delivered “The Lunchbox” to the right station. And it was delicious. 

Movie blessings! 
Jana Segal 
www.reelinspiration.blogspot.com