Our Desert Community Plants the Seeds for a New Doc

I apologize for not keeping up with my Reel Inspiration reviews for the past few months - even though there have been several meaningful films that really touched my heart.  I started writing reviews to help promote inspiring, thought provoking movies. I especially felt drawn to films that spoke to the important issues of our time.  In the process, I learned so much! I was inspired to start a new blog that has taken up much of my attention:
 www.sustainablelivingtucson.org. 

Since Dan and I started blogging about our journey to a more sustainable lifestyle we have had the opportunity to come in contact with so many inspiring community groups cultivating an oasis of sustainability here in Tucson.

Emma demonstrates how to shore up a catchment basin.

Tohono O’odham Community Action (TOCA) is reviving their cultural traditions by having tribal elders mentor youth on their native foods. Friends of Tucson’s Birthplace re-built the Mission Garden, a living museum, to demonstrate how to grow crops from pre-Columbian to those that Father Kino established in that location.  Native Seeds/SEARCH 

maintains community food traditions by preserving diverse and heritage seeds. Manzo Elementary, Changemaker High and City High tend to the next generation of desert gardeners. Through their community garden programs, the Community Food Bank of Southern Arizona doesn’t just feed the hungry, but teaches them to grow food for themselves. Iskashitaa Refugee Network assists refugees in becoming self-sufficient (and reduces food waste) by harvesting fruit that would otherwise go unpicked. Dunbar Springs neighborhood worked to make their street an example of an edible, urban forest irrigated by rainwater. Watershed Management Group is building a community that works together to restore Tucson’s aquifer by implementing rainwater harvesting techniques and desert landscaping in people's yards, gardens, streets and businesses. These groups (among others) are gleaning from Tucson’s rich cultural history ways to live in harmony with the desert. This is truly an exciting time to be a part of this vibrant community!

Shooting the first segment with Brad Lancaster at Dunbar Springs

I decided to make a documentary about the accomplishments of these communities with the hope that it would inspire others. So I approached activist/ documentarian Evan Grae Davis with the idea. Evan had just read Edible Baja Arizona’s article about Tucson being the first US city to be designated a UNESCO World City of Gastronomy for the same advancements. He was excited to tell our story!

Our last shoot was for the rainwater harvesting segment featuring Watershed Management Group. Dan and I have planted our roots into the WMG community. In addition to being members of their co-op, Dan recently got the good news that he was accepted into their docent training program!  We love being a part of a community that is working to restore our groundwater and get our rivers flowing again.

Here we are shooting in Jason and Connie Carder's yard. (See Jason working alongside of Emma in the pic above.) They had 3 roadside catchment basins (wow!) and berms installed to control the runoff after their house had been flooded during a recent storm.

Happy owner Connie Carder

Co-op members Grant and Carrie Stratton share why they volunteer

Where's Waldo...uh...Dan? 

Emma helps a co-op volunteer arrange rocks 

Two hard workers: workshop instructor Emma Stahl-Wert and my baby Dan

Purslane!!!

A little patch of purslane ignited a conversation about edible weeds. Later in the day, Dan heard someone call out, "Don't step on the purslane!" A woman after my own heart! It's so great to work alongside kindred spirits who feel as passionate as we do about getting our rivers flowing again and protecting purslane!

Movie blessings!
Jana Segal-Stormont

The Arizona International Film Festival: My Fest Within a Fest

I have been attending the Arizona International Film Festival for 18 of its 25 years!  It all started in 1998 when I decided to make my first short film.  I went to find out what exactly constitutes a comic short.  Back then, the genres weren’t clearly labeled on the program, so I picked out any shorts that sounded the least bit funny. I accidentally ended up going to a dreaded doc program! I used to avoid documentaries because I thought they were dry, boring educational programming. I credit the Arizona International Film Festival with igniting my passion for documentaries. I found out that the best documentarians are great storytellers. Docs can be hilarious character studies, heart-breaking human tragedies, breath-taking thrillers, and current, cutting edge insights on important issues that affect us all.

I used to get one or two of the discount passes (5 films for $25.) But it is so worth it to get the all access pass. You can get your money’s worth in one weekend!  With over 100 films screened in 17 days, you can pick and choose to create your own fest within a fest. I managed to get at least four fests in: Human Rights Docs, War Films, International Shorts, and Tucson Filmmakers Fests.

Shorts programs are great because you can be a theater seat adventurer and discover a new interest that you might never have considered. And if you don’t care for one short, they’re short! Wait a few minutes and there will be another one. You can always hang out in the lobby with Angie and Amber and have a brewsky. But you may not get the chance. The shorts have been that good!  

My one regret is not seeing more of the comic and dramatic shorts this year. Ironic, since I started off as a screenwriter and I have made three narrative shorts. Two were screened at the AIFF: “Desert Angel” and the comedy I was doing the research for, “The Bath-a-holic.” Lately, my heart has been drawn to human rights and environmental films. (See my reviews of "Indivisible" and the "Anthropologist.") The short docs program was so inspiring for me.  Kai from “Riding the Highline” shared his adventures hopping trains and read a visceral poem inspired by the experience. (It won a Special Jury Reward for Creative Achievement!)  I am still in awe of Sister Judy Bisignano for her courage in sharing her weaknesses that made “Sister Jaguar’s Journey” so powerful.

The Arizona International Film Festival has grown into an important fest. It receives submissions from around the world.  This fest is not about celebrities. It’s about indie filmmakers connecting with their audience and other filmmakers. And there were plenty to connect with! Howon Kim, the lead actor of the fascinating short "Chalet," flew in from South Korea to spend the day at the fest. An interpreter was provided for the Q & A. But the actor didn’t need an interpreter to exclaim, “Filmmakers! I want to hang out with you!”

One of my favorite parts of the fest is hanging out with the filmmakers between films. The festival holds free Connect with Filmmakers panels each Saturday. I met Kai from "Riding the Highline" and Vinnie, the producer of "Monty and the Runaway Furnace"(Special Jury Award for Visual Storytelling) after one of the panels. A good rule of thumb is to attend the films of the people you meet. The first weekend I had a blast chillin’ with Seth (I ended up writing about his film, “The Anthropologist” that later won Best Documentary) and Doug the cinematographer of the beautifully shot “Caravan" (Special Jury Award Documentary).  It wasn’t about collecting business cards (though collect them I did!) It was about getting to know some really fascinating people!

Attending the fest is a great way to show support of Tucson's own indie filmmakers. I sat with writer/producer Ginia Desmond of the moving family film “Lucky U Ranch” (see my review) during several screenings.  I have enjoyed following Anna Augustowska's ("Our Desert Farms") progress since seeing her touching doc, "Donnie."  Frances Causey squeezed my hand when I showed up for her important doc, "Ours is the Land."  And I was there to congratulate Daniel Hyde when he won the coveted Arizona Filmmaker Award for his incredible short, "Manna."

Another great thing about the AIFF is its commitment to community engagement.  Mia Schnaible, our enthusiastic MC, encourages the audience to be a part of the discussion during the Q & A with the filmmakers.

Here we are in the front row with Ginia.

After screening “A Bitter Legacy” about the secret "Citizen Isolation Centers" built to separate "trouble-makers”within the WWII Japanese-American incarceration camp system, filmmaker Claudia Katayanagi spoke about her family connection to the story. This timely film really hit close to home when she called up an Arizona couple who remembered the camp near their trading post. Other members of the audience recalled the incarceration camp as well.

The filmmaker of “Return to Dak To” shared his experience of returning to Vietnam with four other men from his unit to deal with their unresolved issues from the war. He did a shout out to any other vets in the audience. Some were moved to share memories the film evoked. The audience really got involved in the discussion. We were all very emotional after that powerful doc and "Heart of a Tiger" about a WWII pilot who returns to China to thank the villagers who saved him.

“Ferguson 365” filmmaker Christopher Phillips also shared his journey. After Michael Brown was shot in his neighborhood, Christopher picked up a camera. He was arrested for recording a non-violent protest. He said he would be expanding on the theme of how poor black people are exploited by the system in the feature version. (How a $100 traffic ticket ends up being $1000 in fines that lands the driver in jail when he can’t afford it.) The Q & A led to a passionate exchange about social injustices during lunch.  Blown away by the audience response, Christopher said he could “feel the love.” Talking about "feel the love," "Ferguson 365" ended up winning Best Documentary Short! Congrats, Chris!  

This year,  AIFF organizers took advantage of the opportunity to share some cutting edge technology. I tagged along with my roboticist husband to the drone workshop. The filmmakers of “Our Desert Farms” and “Fly Spy” used drones to enhance their films with aerial shots. We enjoyed the spectacular drone footage and then the filmmakers shared their expertise and answered questions from inquisitive audience members. The workshop expanded my own vision about ways I could enhance my projects using drone footage. 

I never dreamed that I would become a pass-carrying fan of the festival docs. But I have been BLOWN AWAY with the quality of the docs this year. One after another of profound, important, mind-expanding docs! In its 25th year, the Arizona International Film Festival attracts filmmakers with their fingers on the pulse of the most current issues we face as a society. On the 16th day of the 17 day fest, I am overwhelmed. My biggest challenge was not having enough hours in the day to watch all the fascinating films or to write about them!

Movie blessings!
Jana Segal-Stormont
www.reelinspiration.blogspot.com

Growing Up at the "Lucky U Ranch" Trailer Court

Chubby eleven-year-old Junior (Trevor Robins) awkwardly lowers himself onto the tracks. The hollow whistle of a train dissolves into the heckling of cruel classmates - a fresh memory of being bullied at school. He puts his ear to the rail listening for the far off roar of a train. Trains hold a special wonder for Junior as he dreams of escaping to follow in the footsteps of his father. Startled awake by an old-timey locomotive in his dream, he picks up his discarded school books and wistfully tramps home through the harsh desert to the end of the trail: the Lucky U Ranch trailer court. 

Junior has plenty of time to daydream left alone in their trailer while his mother works long hours to support them. His longing for a father is always just under the surface. It comes out in fantasies where he plays a film noir private eye who rescues a little girl. The police detective raves, “Once again you saved the day. Your father would be proud.” His mystified mother (Harris Kendall) is doing the best she can. She can see how much he needs a father. She allows him his fantasies to protect him from the painful truth. But his expansive fantasy life is only making matters worse. When he misses the ball while daydreaming out in left field, he is ridiculed by his classmates.

Then, one day, a shiny Air-stream backs in next to their dilapidated trailer. A vision in pigtails chases her dog into his yard. Melissa (Donovan Droege) asks him to teach her to play jacks, and in exchange she gives him much needed baseball lessons. I love the way this confident pre-teen girl doesn’t shy away from sharing her expertise while coaching. She enjoys his sense of humor and really gets him. There are people who appear in your life just when you need them to teach you a pivotal lesson, and Melissa is one of those angels. Despite dealing with alcoholic parents that fight all the time, she saves Junior. Empowered by their friendship, Junior gains the confidence and courage he needs to face reality and to handle a life altering event.  

The running theme is one that many of us can relate to – longing for the love and approval of an absentee parent. It brought back my own fantasies of running away to find my birth father or of my father just showing up and being so proud of me that he was sorry he ever left. It takes real courage to accept them for who they are, faults and all.

This touching coming of age story draws from writer/producer Ginia Desmond’s years at the Lucky U Ranch trailer court. Like the character of Melissa, she was stuck in a trailer with alcoholic parents who fought. And baseball was one of the joys of her young life.

Guided by director Steve Anderson, the bond between the two child actors is so natural. Brian Shanley’s beautiful cinematography creates a melancholy atmosphere using our stunning desert to good effect.  Production designer Adam Sydney enhances Tucson’s small town feel with a keen attention to detail that gives "Lucky U Ranch" an authentic, nostalgic fifties vibe.

This Tucson-based indie does Arizona proud.

Movie blessings! 

Jana Segal-Stormont

www.reelinspiration.blogspot.com

On the Wrong End of the FOOD CHAIN

I have attended the Arizona International Film Festival for ten years now. I've seen it grow into a world class festival by screening excellent independent films from Tucson and around the world. After watching several fascinating films in 2014, my ever-inquisitive fiancée, Dan Stormont, insisted that we get passes again this year. Thursday we attended the opening night screening of the enthusiastically received local documentary, "Many Bones, One Heart" (by Leslie Ann Epperson) about Tucson's All Souls Procession. Leslie really does Tucson proud! We have already gotten our money's worth in the first weekend of this two week fest.

Dan and I attend numerous films and lectures on the importance of creating a sustainable food system as research for Dan's blog on THE PINEAPPLE PROJECT (a humanitarian project to get agricultural information, such as what grows best in their area, to subsistence farmers so they can be more successful.) So we were glad to see the documentary Food Chains on the festival program.

We were deeply moved by this powerful documentary on how our farm workers are treated in this country. We were shocked to see how little things have changed since 1960 when CBS aired Edward R Murrow's documentary, Harvest of Shame. In this country that Murrow calls "the best fed country in the world," the people who harvest our food are working a brutal 13 hour day, and still aren't making enough to adequately feed and house their families.

This movie shows the courageous efforts of a group of farm workers who are rallying support for "Fair Food." This organization is standing up to grocery store chains demanding that they pay enough to provide workers a living wage and refuse to buy produce from farmers who abuse their workers. What struck me was how easy it would be to correct this problem. If we pay just one cent (one cent!) more per pound for fruits and vegetables, it would double the pay of farm workers from $10,000 to a living wage of $20,000 a year. We just need to create more awareness of the problem. Food Chains does an admirable job explaining one of the most important humanitarian issues of our time. Watch this film to see how you can help. This is doable, folks!  This is one problem we can solve. 

We want to thank the Arizona International Film Festival for creating more awareness. 

Please, help us get the word out by sharing this with your friends! 

Movie blessings! 

Jana Segal 

Dan was inspired to write about it on his blog too! 

"We used to own our slaves. Now we just rent them."

by Dan Stormont

www.thepineappleproject.org

On the day after Thanksgiving in 1960, CBS News aired a documentary by Edward R Murrow entitled Harvest of Shame.

It documented the plight of a crew of migrant farm workers in the United States as they worked their way up the east coast from Florida to New Jersey. It showed in painful detail the long hours, hard working conditions, desolate housing, lack of education, and meager incomes earned by the farm workers brought in to harvest the crops. They often went hungry while harvesting the food that graced American families' Thanksgiving tables.

The documentary also addressed some of the causes of the farm workers' situation, like farmers who were being squeezed themselves by the large food producers and distributors who were controlling the price of crops. Farm workers had difficulty organizing to demand better working conditions. The law was rarely on the side of the farm workers. As Murrow noted, "The people you have seen have the strength to harvest your fruit and vegetables. They do not have the strength to influence legislation. Maybe we do."

Nearly 55 years later, things must be better right? In some ways they have improved slightly and there have been some gains (often followed by comparable losses). However, as the recent documentary Food Chains demonstrates, many farm workers are toiling in the fields for long hours while still not earning enough to own a home, save for the future, and care for their children. Far too many are still going hungry while picking the produce we eat. The big food producers, wholesalers, and retailers are still controlling the markets and exploiting farmers and farm workers alike.

Nothing is more important than a sustainable food chain. We all rely on it. But, right now, the food we buy at the supermarket is being harvested by people who are earning below poverty wages. Surely, we can afford one cent more per pound of produce to improve the lives of the people who harvest our food? That's how much it would cost to double the wages of farm workers..one cent a pound.

Seek Food Chains out. Watch it. Think about what it is saying and about the human stories being told. Then, take action! Don't buy food at stores that refuse to pay enough for farm workers to make a living. Demand action from your representatives. This isn't politics...it's just humanity. And it is ensuring a viable, sustainable food chain for all of us!

Arizona Filmmakers and Reel Inspiration finalists screen at FUSIONFEST

FUSIONFEST: April 28 & 29, Pima Community College N.W. Campus, 7600 N Shannon Rd.
Featuring culturally diverse independent films and topics centered on global issues.

SATURDAY, APRIL 28
11 a.m. - "Starbuck and the Bandit" by Dick Fisher and Sarah Sher
12:30pm -Film Discussion with Elhad Ndoye
"The Forgotten Children-Focus on West African Culture"
 2pm - "What You Need" - Film by Nickolas Duarte
2:30pm- "Deseo" – film by Richard Wyland (Q&A by Ty Matthews)
3pm - "389 Miles: Living the Border" by Luis Carlos Davis

SUNDAY, APRIL 29
11am - "Vicenta" - Film by Angela Soto
12:30pm - Reel Inspiration Contests Finalists:
"The Mysterious Mystery of Something Important" by Jacqueline Véissid, "Solace" by Bill Kersey, "87 Topaz" by Bill Kersey, "Garpenfargle" by Bill Kersey & Edward Kim, “Somebody Loves Me” by Derek Griffith, "Morning Submission" by Justin Mashouf, "Just Coffee" by Roberto Gudino, "Linear Progression" by Kat Kosmala, "Not to be Toyed With" by Hal Melfi and Steve Bayless, "Have Coffin, Will Travel" by Sarah Sher, "New York City Spirit" by Muriel Stockdale,
2pm - "How like an Angel" - Film by David Sands & Elizabeth DeVries
3pm - What You Need – Film by Nicholas Duarte

Inspiring Films Create Understanding

I remember when 9/11 happened, I sobbed for what I thought would be a loss of what makes us American - our freedom. Fear is such a powerful weapon! But I believe that films of substance have power too. That's why I promote meaningful films that show that we are more alike than different.

"Why can't we just get along." See it can be done. Like this dog and cat.

Inspired by that principle, I organized the Reel Inspiration film contests. There were two shorts that especially made it worth the effort. 2004 finalist Morning Submission by Justin Mashouf creates understanding with his powerful three minute film on why Muslims pray. This little wonder shows that their prayers are much like ours. And 2006 "Best of Tucson" winner, Have Coffin, Will Travel by Sarah Sher shares how Dale Clark, an 83 year old artist and activist from Bisbee, Arizona, hitchhikes with a coffin to bring attention to the approximately eight thousand children of Afghanistan and Iraq who lost their lives as a result of war. This whimsical short is a gentle reminder that we aren't the only ones affected by the war and that these are our children too.

On this anniversary of 9/11, we can honor those who died by choosing not to be defeated by fear, but choose instead understanding over hate and connection over separation.

Movie Blessings!
Jana Segal

MARK TRAVIS “STAGING THE SCENE” WORKSHOP

August 14-16, 2009, Fri 6-9 p.m. Sat/Sun 9a.m. to 5 p.m.
Pre-register now to save your place. (Sign in 5:30 Fri.)
Tucson Marriott University Park, 880 E. Second Street, Tucson, AZ

Cost for Observing Directors/Actors: $100.)($10 off for pre-registered Pan Left, APA, PIFMG, ZONIE, IFASA, NALIP, and IFP members).

Cost for Participating Actors: $50 (chosen by Participating Directors for scene work, pre-workshop prep required including scene memorization and rehearsal with Director, apply by e-mailing headshot/resume.)

STAGING:
*individual body language; how characters move in relationship to each other and the space.
*a powerful tool used to trigger emotional responses within the actor and the audience.
*illuminates the subtext or unspoken desires, needs, fears and fantasies of the characters.
*can stimulate the character in a desirable direction or make it harder to perform the scene.

IN THIS WORKSHOP:
*students learn tricks of the trade Mark has developed from decades of experience in television, film and theatre.
*staging techniques that support the dynamics of the scene such as the characters’ objectives, character arcs, conflict, adjustments, and shifts in relationships are demonstrated as participating directors stage two actor scenes in front of the class as Mark coaches.

What Mark’s students are saying:

“Mark has an in depth understanding of how an actor works and what an actor needs to give their best performance. His techniques are simple yet profound. Directors and actors alike were astounded by the results.” Eric Schumacher, Actor.

“What an amazing learning experience. I feel like we only scratched the surface. I'm very anxious to incorporate his technique into my rehearsal process.” Alan Williams, Director

Mark wrote the Best Seller, THE DIRECTOR’S JOURNEY: the Creative Collaboration between Directors, Writers and Actors; as well as DIRECTING FEATURE FILMS. He shared his techniques at The Directors Guild, The Actors Studio, American Film Institute, Pixar Animations Studios, and UCLA Extension. Mark is creative consultant to film directors Mark Rydell, George Tillman, Chazz Palminteri, Cyrus Nowrosteh, among others. Television directing credits include: The Facts of Life, Family Ties, and Capitol. Graduate training in Theatre Directing at the Yale School of Drama. www.markwtravis.com

Registration info at: reelinspiration@hotmail.com or www.reelinspiration.blogspot.com

Mark Travis Directing Actors Workshop Follow-up.

Reel Inspiration, with ArtFare and the Tucson Film Office, is proud to have brought world renowned directing instructor Mark Travis to Tucson for the successful master class, “Directing Actors” on March 21-22, 2009.

Mark wrote the Best Seller, THE DIRECTOR’S JOURNEY: the Creative Collaboration between Directors, Writers and Actors; and DIRECTING FEATURE FILMS.

The workshop was attended by 60 people from around Arizona. The first day Mark demonstrated the Travis Technique with four actors. The next day eight directors received hands-on training while rehearsing two actor scenes. Attendees were blown away by the transformation in the actors' performances after being directed using the Travis technique.

There was such an outpouring of gratitude from attendees encouraging me to bring Mark back for another workshop. Here are just a few of the comments...

"Mark has an in depth understanding of how an actor works and what an actor needs to give their best performance. His techniques are simple yet profound. Directors and actors alike were astounded by the results." Eric Schumacher, Actor.

"It was so exhilarating to see (and experience) the magic created in a scene using Mark's techniques. I'm so glad you brought it to Tucson where it will no doubt benefit 'the industry'. Looking forward to more workshops with Mark in the future." Chris Farishon, Actor

"What an amazing learning experience. I feel like we only scratched the surface. I'm very anxious to incorporate his technique into my rehearsal process." Alan Williams, Director

"Techniques that Mark shared with us opened up exciting new avenues in how to work with actors on a deeper level." Annina Lavee, U of A Media Arts Instructor, Director.

"I learned more in two days than in all the previous acting training I have undergone." Brian Mulligan, President IFASA

Due to the positive response, Reel Inspiration will be bringing Mark back for a "Staging the Scene" workshop August 14-16, 2009.

Jana Segal
Reel Inspiration

For workshop and registration information, contact: reelinspiration@hotmail.com

Arizona International Film Festival screens work of Reel Inspiration Contest Winner Bill Kersey

The Arizona International Film Festival has opened with a bang and will screen films for ten days. This year's fest is especially exciting because it celebrates the 15th Anniversary of PanLeft (Tucson's activist filmmaking group), there are also some great shorts in Cine Espanol and from all around the world.

What especially excites me is the tremendous number of youth films presented this year! There will be a free screening of some of the youth films at 11 today at the Screening Room, Downtown.

In addition, there are two films edited and/or produced by three time Reel Inspiration Film Contest winner Bill Kersey. (Some of you saw him at the Unity or Reel Vision Conference screening a few years back.) I've included the descriptions of the films Bill worked on (Rita of the Sky, Thicker than Water) because they are so inspiring and compelling.

But there are so many other great films this year! Between the Water and the Wood (about the U of A swim team), Weaving Worlds, The Gift of Mother Earth, Summer Trip, shorts and feature films from all over the world and what may be AIFF's best animation screening ever! There are also several free screenings. Please, check out the complete schedule at: http://www.filmfestivalarizona.com

Don't forget the popular Arizona filmmakers Screening Wednesday at 8 p.m. at the Screening Room!

I will catch as many of these film as possible (probably 15 of them!) Hope to see you there supporting our independents.

Movie blessings!
Jana Segal
www.reelinspiration.blogspot.com

Rita of the Sky
Kathryn Ferguson, USA, 2009, 72 min.
In a story that prowls the edges between cultures, a judge sends a mysterious woman to a Kansas mental hospital because, to officials, her language resembles the "guttural noises" of a mentally ill person.

After 10 years, they learn she is a Tarahumara Indian from the Copper Canyon in Mexico, who had been speaking her native language all along. She had walked 1500 miles from her canyon village to Kansas. Emerging from captivity, she can no longer speak at all because of the drugs given to her in the hospital.

Rita Carillo Quintero Mancinas is from Urique in the Barranca del Cobre in Chihuahua, Mexico. The film introduces Rita's Tarahumara family and friends, Mexicans involved in her repatriation, and Kansas law enforcement and lawyers.

Parallel to the story of Rita’s incarceration, the film documents her route from Mexico to Kansas. Filmmakers recreated Rita’s walk by following the route she would have walked for 1500 miles—filming in the canyon where Rita’s journey began, into the Chihuahuan mountains, into the Chihuahuan desert, and, finally, into Kansas. The resulting footage is experimental in style, using subjective camera and other effects.

To complete its three-element structure, the film also contains excerpts from a production of La Mujer Que Cayo del Cielo (The Woman Who Fell from the Sky) by Mexican playwright Victor Hugo Rascon Banda. The excerpts are performed by Borderlands Theater in Tucson, Arizona. After that production, the play was produced in theaters worldwide. In the play, Rita is played by Luisa Huertas, a famous Mexican actress best known in the United States for her role in the Academy Award-nominated Mexican movie El Crimen de Padro Amaro (The Crime of Father Amaro).

Producer: Kathryn Ferguson
Writer: Jimmy Santiago Baca, Kathryn Ferguson
Cinematographer: Rubin Ruiz, Tim O'Grady, David Valdez, Kathryn Ferguson
Editor/Sound Design: Bill Kersey

Thicker Than Water
Bradley Rappa, USA, 2009, 74 min.
World Premiere,US Premiere,Arizona Premiere
Tony is 11 years old. Hockey is his “absolutely, positively” favorite sport, and he is about to play his last game. Like his father and his father’s father, Tony has spent many of his best hours on the ice. Like his mother’s brother, Tony has severe hemophilia. That means that a bump or bruise could have catastrophic consequences for him.

The film is about hemophilia, a serious, but not unmanageable, illness; and it is about living with chronic disease. It is also about normality—being a normal child and being a parent raising normal children, one of whom has a chronic disease. Above all, the film is about loving life, doing what is possible, even if others are skeptical, and playing your last game as well as you can.

Bradley Rappa conveys a great deal of information about hemophilia and the changes in detection and treatment over the last 30 years. At the same time, and almost seamlessly, he explores the personal challenges faced by Tony and his family. Equally significant is Rappa’s willingness to share his perspective as a favorite uncle and loving brother and brother-in-law. Editor Bill Kersey has woven home movie footage, interviews, and lots of hockey action together for an engrossing mix.

The documentary is a gift, a gift first to Tony and his younger sister and brother, and then to the extended family. It is also a gift to viewers who enter the extended family circle as they watch.

Bradley Rappa received his M.F.A. in filmmaking from Syrcause University in 1995, and has directed nine films to date. He is also a professional cinematographer, with credits including four feature length documentaries, numerous shorts, and an extensive list of commercials, video documentaries, internet content, and music videos.

Producer: Bill Kersey, Nicole Koschmann and Bradley Rappa
Cinematographer: Bradley Rappa
Editor/Sound Design/Music Score: Bill Kersey

Mark Travis Directing Workshop: "Working with Actors in Rehearsal, Staging and Performance."

Reel Inspiration is hosting an intensive weekend workshop with master directing instructor Mark Travis.

The workshop runs from 8:30 a.m. to 5:30 p.m. on March 21-22 at Artfare, 55 N. 6h Ave. Downtown Tucson, AZ. (third floor) The cost to observe for pre-registered directors and actors is $70 (with a $10 discount for APA, IFP, IFASA and NALIP members.) Students with school ID, are $40. The cost at the door is $80 where only cash and money orders will be accepted. *Lunch is available at a modest price at Artfare's restaurant.

Space is limited so don't wait to register. To get the pre-registration price register before March 16. Interested actors and directors, contact Jana for registration information at 325-9175 or reelinspiration@hotmail.com.

The workshop is sponsored by Artfare, the Tucson Film Office, APA Tucson Mariott University Park, and Reel Inspiration.

Mark is the author of the Best Seller, THE DIRECTOR’S JOURNEY: the Creative Collaboration between Directors, Writers and Actors as well as DIRECTING FEATURE FILMS. Mark has shared his techniques at The Directors Guild, American Film Institute, Pixar Animations Studios, UCLA Extension, and workshops around the world. Mark is a creative consultant to film directors Mark Rydell, George Tillman, Cyrus Nowrasteh, among others.

Mark Travis did his undergraduate training at Antioch College and his graduate training in Theatre Directing at the Yale School of Drama. Mark’s television directing credits include: The Facts of Life, Family Ties, Capitol and the Emmy Award-winning PBS dramatic special, Blind Tom: The Thomas Bethune Story. In 1990, he completed his first film, Going Under, for Warner Bros., starring Bill Pullmanand Ned Beatty. In 2001 he wrote and directed The Baritones (parody of The Sopranos)as well as the short documentary, Earlet.

DIRECTING ACTORS SCHEDULE

Working with the Actor in Rehearsal, Staging and Performance.

DAY ONE:

Mark Travis will introduce the entire group (8-10 directors and 20-30 observers) to the unique process of working with actors that is called The Travis Technique. This is a powerful and experiential way of exploring and exposing the characters that exist within the actors.

Mark will detail how this process works and why it is so efficient and will demonstrate this Technique by working with 3 or 4 actors.

Areas covered:

THE RELATIONSHIP BETWEEN THE DIRECTOR, SCRIPT AND ACTOR
(9:00 - 10:30)
This is the Golden Triangle, the heart of every movie. It is the Director’s ability to understand Story and Script and how a script works that is so necessary prior to including Actors. Then the Director has to understand how Actors work, think and respond that is so essential to eventually eliciting powerful performances.

THE REHEARSAL PROCESS
(10:30 - 12:30)
The Director-Actor Relationship in rehearsal and performance. In this section of the seminar participants will learn how to work with Actors to create credible and powerful performances. This is the beginning of The Travis Technique. Participants will learn, in this Master Class approach, how to Rehearse with actors, how to stimulate the character and how to invigorate the relationships and bring each and every scene to life.

STAGING THE SCENE
(1:30 - 3:30)
Staging is one of the film director's most powerful tools. Used appropriately it can bring a scene to life illuminating the subtext and character relationships. Misused it can hamper the work of the actors. In this seminar Participants will witness the power of staging and see how you can actually stimulate specific emotions with the Actors (Characters) and in the audience. Participants will learn how to employ the techniques that Mark Travis had developed over many years of directing.


DIRECTING ACTORS
(3:30 - 5:30)
At the core of every film are characters in relationship and every writer and director must understand both the psychology of character and the techniques and tools of acting. In this phase of the seminar Mark Travis will take Participants through a wide range of approaches and techniques (all part of the Travis Technique) that are guaranteed to create the relationships, characters and performances desired.


DAY TWO:

On Day Two Eight (or Ten) Participating Directors will get an opportunity to work on their material with actors of their choosing under the guidance of Mark Travis. This is an opportunity for each director (and the actors) to explore and experiment with the Techniques they have learned in Day One. These rehearsals are an examination of the Process of each director. Each Director gets 40 minutes of Individual time (with the rest of the Participants and Observers watching the Process). The focus is not about the results but rather about the Communication with the Actors, the Effectiveness of Character development and the Efficiency of the Rehearsal Process.

Websites: www.travis-johntz.com
www.markwtravis.com

"Jake's Corner"

I am all about supporting Arizona Filmmakers. In fact, I braved two new bus routes to an unfamiliar part of Tucson to watch the Arizona indie, "Jake's Corner."

The mood is set with desert shots that would make any Arizonan proud and some great southwestern music by BJ Thomas and Steve Dorff. We are introduced to the misfits of Jake's Corner who have accepted former NFL star Johnny Dunn (Richard Tyson) into their tight community after a family accident leaves him unable to cope with being in the public eye. The most touching part for me was seeing how this community pulls together to help Johnny when he needs it most - when his orphaned nephew, Spence, moves into his freewheeling life. The townspeople fumble and grope for a way to relate to the only kid in town. But eventually, Spence, played with naturalistic ease by Arizonan Colton Rodgers, is embraced by the whole town.

Writer/Director Jeff Santo does an admirable job of getting some nice performances out of some of his actors - especially young Colton Rodgers. Though it would have been better if Colton had expressed more distress. It is fun being in the world of this film. But I've noticed a problem with some recent indie films (including the recently reviewed, FLOAT). The filmmakers are trying to keep the running time down while juggling several characters' storylines. Santo keeps the running time down to 96 minutes but in the process loses the threads of some of his supporting characters' stories. There are some moving moments here, but the ending would have had more impact if he had connected all the dots. I would have been happy to stay in the world of Jake's Corner another 10 minutes so he could develop these characters' stories.

Movie blessings!
Jana Segal
http://www.reelinspiration.blogspot.com/

REEL INSPIRATION CONTEST FINALISTS UPDATE

Two RI contest finalists' films, "The Runners" and "Not 2B Toyed With," were screened Saturday, February 9 at the TucsonFilm.com Shorts Fest

Justin Mashouf was a 2004 RI Film Contest Finalist for his moving film, "Morning Submission. Morning Submission" is a lovely short film about why Moslems pray. Justin spoke at several Reel Inspiration screenings and on Arizona Illustrated. He expressed how important it was to him to share his film to create greater understanding. It is moments like this that make organizing the RI contests really worth it. Justin is still making films that promote understanding. Justin and JorDan Fuller's film, "The Runners," was screened at the Santa Fe Film Festival, the Lone Star International Film Festival, and the Tucson Film and Music Festival, among others. "The Runners," is the story of a Mexican man who crosses the border illegally, marries an American woman, and finds out that the American dream is harder than it seems. Congrats Justin and JorDan!

Congratulations to Not 2B Toyed With Filmmakers Hal Melfi, Tina Huerta, and Steve Bayless for being included in the FilmTucson.com Shorts Fest!

Since Reel Inspiration's Pura Inspiracion Film Contest, "Not 2B Toyed With," has been screened nationally and abroad including England, France, Canada, Denmark, and our own Arizona International Film Festival and RI's screening at the Oro Valley Arts Fest.

"Not 2B Toyed With," is the story of an obsessive Star Wars toy collector who is about to discover the "power of the dark side" when his nephew invades his perfectly packaged world. 

Reel Inspiration Contest Winners Update.

Wonder what became of our Reel Inspiration Contest Winners? Here's what they're up to....

The 2004 Winners Reel has been screened at writers organizations, churches, schools, and the Arts Festivals around Tucson, AZ. All the winners were screened October 27 -28, 2007 to an appreciative audience at the Oro Valley ArtsFest. (See October archives for list of films.) Justin Mashouf (Morning Submission) represented the contest finalists on Arizona Illustrated.
Bill Kersey:
2004 RI Film Contest Winner for Garpenfargle
2004 RI Film Contest, Popular Choice Award for Solace
2006 PI Film Contest, Best Documentary, 87 Topaz
After playing the festival circuit around the world, Bill's award winning shorts are still popping up here and there. Garpenfargle recently played at CineGlobe in Switzerland.
Nicole Koschman's Black, White, and Yellow, (which Bill edited) was screened as part of the Loft's Cinema Lounge in Tucson, AZ. The short film, Life List (16 minutes) directed/produced by Tom Dunlap and edited/produced by Bill Kersey was also featured. Bill is currently editing another film.
For a complete list of Bill's screenings and awards or to watch his short films , go to:
http://www.raintownpictures.com

BLACK, WHITE AND YELLOW (56 minutes)
Directed by Nicole Koschmann, Edited by Bill Kersey
BLACK, WHITE AND YELLOW is a compelling documentary look at racial identity, familial bonds and cultural differences. Growing up in a multi-racial family in three different countries, two sisters (one black, one white) struggle to define their own identities as well as their relationship with each other. Black, White and Yellow won the 'Best of Arizona' award at the 2007 Arizona International Film Festival.LIFE LIST, an insightful and often humorous documentary, explores the world of birding by examining the philosophies and field behaviors of two master birders. It's been in several film festivals, including last year's AZ International Film Festival, and it won Best Documentary Short at the Northern Lights Film Festival in Massachusetts. It's been picked up by a short film distributor.

http://web.cfa.arizona.edu/mediaarts/index.php/story?storyid=1179

Derek Griffith
2004 RI Film Contest, Best of Tucson Award
Somebody Loves Me.

Derek writes,

"Somebody Loves Me," but not as much as Garpenfargle! Man, that was a classic film! Since that cool September night when that little white dog warmed the audience's heart, I have been working on several films that vary in an array of genres. From horror to comedy and from drama to musicals, I've dabbled in it all. Most recently, I'm working on a feature script entitled "Visors Down" that is a political-thriller depicting slanted political views. As I circulate my filmmaking-dabbling, I will once again cycle into a light-hearted comedy/drama in the vein of "Somebody Loves Me" but for now, I must plug away, plug away at my baby, "Visors Down".

For more on Derek, visit: www.DirectorsSeat.com
Muriel Stockdale,
2006 PI Film Contest, Cultural Diversity Award
New York City Spirit
Muriel Stockdale is an accomplished artist, writer, filmmaker, costume designer, and was a valued member of the teaching faculty at NYU Tisch School of the Arts, Graduate Design Department for 14 years. She is completing a final draft of her second screenplay, Gabriel’s Flight, and she has won a commission to write the book for the musical version of the Indian epic myth, Ramayana. She is in pre-production on the feature length version of New York City Spirit.

New York City Spirit depicts a composite day in New York through rich and colorful images of New Yorkers practicing the diverse ways that they choose to connect to God or Spirit. The film travels through all five boroughs of New York City and presents an unbiased display of multiple cultural, religious and spiritual disciplines. It is about how individual New Yorkers choose to connect to a higher truth and meaning in everyday life.

http://www.nycspirit.com/about.htm

Sarah Sher
2006 PI Film Contest, Best of Tucson
Have Coffin, Will Travel

Sarah Sher's film about Bisbee-based artist/activist Dale Clark, Traveling Coffin, has been picked up by Al Gore's TV Network, Current TV. Traveling Coffin -- originally titled Have Coffin, Will Travel -- follows Clark as he hitchhikes around the country with a coffin to draw attention to the deaths of children in Iraq, Afghanistan and other current war zones. Sher is the owner of Red Eagle Post (a post-production studio.) Visit the Current TV web site to see film:http://current.com/pods/protests/PD05308

Kat Kosmala
2006 PI Film Contest, Best Narrative
Linear ProgressionStrange creatures! Beautiful animation! Grass! What happens when an unstoppable force meets an immovable object? Such conundrums abound in this charming traditionally drawn and digitally painted short. Simple but rich in its design, and with a dialog track of only grunts and sighs, animation proves itself once again to be the universal story-telling language.

Linear Progression has won several awards since Pura Inspiracion including Best Animation at Hollyshorts, Veneration, Pencilheads Dusk 'til Dawn Animation Festival, and Woods Hole Film Festival, as well as winning the Ai Showcase at Dam Short Film Festival. It has screened at over 50 film festivals. Currently, Kat is working
as Supervising Animator at Animax, an LA based Flash Animation studio. A new film is in the works, but won't be finished until next year. For a list of screenings, visit:http://audience.withoutabox.com/festivals/event_item.php?id=3916&fetch=details

Check back for more winners' updates as they come in.

Reel Inspiration Screening, Oro Valley ArtFest

October 27-28, 2007

ArtFest is a celebration of visual, performing, and culinary arts, with musical entertainment, food demonstrations, over 75 exhibitors of fine arts, and children's entertainment, at CDO Riverfront Park. Create your own "moving picture" at our Zoetrope Activity.

Selection of finalists from Reel Inspiration's Film Contests

"From Chameleons to Chocolate" by Todd Lampe

People and their passions.

"The Bear" by Tracy Ann Sagalow

A teddy bear comes to life to save the girl he loves.

"The Mysterious Mystery of Something Important"
by Jacqueline Véissid

A whimsical magician and a young girl journey to find where all the color has gone.

"Solace" by Bill Kersey

A father's musical tribute to his son.

“Somebody Loves Me” by Derek Griffith

A man takes a moment to get to know a homeless woman and it changes their lives forever.

"Morning Submission" by Justin Mashouf

The morning routine of every Muslim before the sun rises.

"Garpenfargle" by Bill Kersey & Edward Kim

A dog dedicated to making the world safer, one trash can at a time.

"Just Coffee" by Roberto Gudino

An organization works to alleviate immigration through coffee sales.

 "Linear Progression" by Kat Kosmala

 Two orange and green creatures cross paths.

 "Just One Wish" by Warren Lazar

 A teenage daughter of a single mom changes their lives forever with Just One Wish.

"Not to be Toyed With" by Hal Melfi and Steve Bayless

An obsessive STAR WARS toy collector discovers the power of the dark side when his nephew invades his perfectly packaged world.

"87 Topaz" by Bill Kersey

A grandfather's musings on life and cars.

"Have Coffin, Will Travel" by Sarah Sher

Dale Clark hitchhikes with a coffin to bring attention to the over 8000 children that have lost their lives since 9-11.

"New York City Spirit" by Muriel Stockdale

Diverse New Yorkers connect to their spirit and each other.

Children's Showcase

"The Pen" by Lineweaver Elementary Cub Club
This silent film follows the story of an object rather than a person.

"The Amazing Defiant Monkeys" by Joshua Segal
Two defiant monkeys learn the importance of family.

"Gender Clash" by Lineweaver Elementary Cub Club
The boys and girls change genders.

"The Power of Music" by Jeremy Nelson
Abstract visuals compliment original composition

"The Tamale Bully" by Jeremy Segal
Standing up to a Bully.

Teen Screening

"Culture" by Avijit Halder
Compares the lives of two young adults from different cultures.

"Essence of Ironwood" by Csenge Molnar
A depiction of nature on the IRHS campus.

Arrange for these films to be screened at your
fest, church or organization, contact:
reelinspiration@hotmail.com
(Also ask about our Zoetrope activity.)