Oscar Honors Women Filmmakers

This year we saw giant strides made by women filmmakers at the Oscars. It was good to see women finally telling their stories and getting acclaim for it.

Persepolis, adapted and directed by Marjane Satrapi (and Vincent Paronnaud) from her graphic novel was nominated for Best Animated Feature. Marjane removes the veil so we can really get to know the precocious Iranian girl living during the Iranian revolution. Through this poignant and often hilarious film, writer/co-director Marjane Satrapi hopes to create understanding of what the Iranian people have undergone.

“I believe that an entire nation should not be judged by the wrongdoings of a few extremists,” Satrapi says. “I also don’t want those Iranians who lost their lives in prisons defending freedom, who died in the war against Iraq, who suffered under various repressive regimes, or who were forced to leave their families and flee their homeland to be forgotten.”

We watched as women accepted Oscars for:
Best Documentary Short Subject "Freeheld" - Cynthia Wade and Vanessa Roth
Best Animated Short Film "Peter & the Wolf" - Suzie Templeton (and Hugh Welchman)

For the first time in Oscar history, four women were nominated in the screenwriting categories: Nancy Oliver was nominated for her highly original feel good comedy, Lars and the Real Girl. Congratulations to Diablo Cody (pictured above) for winning Best Original Screenplay for her quotable dialogue and for her honest portrayal of a teenage girl (which also garnered Ellen Page a Best Actress nomination) in Juno. Two of these nominated writers also realized their vision as director. They created fully drawn, truthful characters that paid off in nominations for their leading ladies. Young writer/director Sarah Polley was nominated for Best Adapted Screenplay for Away from Her while her lead actress, Julie Christie, was nominated for best actress. Writer/Director Tamara Jenkins was nominated for the bitingly real screenplay, The Savages. Her lead actress Laura Linney was nominated for Best Actress.

Congratulations to all these talented filmmakers! I hope that these powerful women inspire and empower a new generation of women filmmakers to express their stories on film.
Thanks,
Jana Segal
http://reelinspiration.blogspot.com/

LUNAFEST 2008

Tuesday, March 4th at 7:00 p.m.

Presented by The University of Arizona's Women's Studies Department

LUNAFEST 2008 lands at The Loft!

Get ready for an entertaining and enlightening evening of short films made by, for, and about women. This annual, nationally-touring film festival brings the best short films from around the world (all made by women) together for one special night of cinematic excitement.

This year's films, which have won industry awards and film festival audience accolades, run the gamut from quirky animation to touching documentaries, and explore such topics as social and cultural diversity, the joys and challenges of mother and child relationships, and the bending (and sometimes breaking) of traditional gender roles. Incredibly diverse in both style and subject matter, these gems are united by a common thread of exceptional storytelling by…for…about women.

Visit the LUNAFEST website: http://lunafest.org/

"Juno"

by guest reviewer Gary Ray

One Liner Review

If you’ve seen the trailer for Juno and decided that it’s
not for you, please read on: I’d like to change your mind.
I thought the same thing when I saw the trailer: here we
go again, another “quirky” movie peopled with characters
who’d never do or say half the things they door say and
with a lead character that spouts smart-alecky remarks
that no one could possibly dream up that didn’t have a
week to ponder them.

Then I saw the movie.  Arms folded.  Third row.  In
the first several scenes, my worst fears had come
true— yes, the film was exactly like the trailer.
Then, bit by bit, scene by scene, the story began to
surprise me.  My arms unfolded.  I relaxed. I laughed.
The characters were real.  And the acting— superb.
I know that lead Ellen Page is getting the lion’s share
of the praise (she was the only one nominated for an
Independent Spirit Award), but the rest of the ensemble
possibly give stronger performances than she does.
Michael Cera is astonishingly natural (and understatedly
funny). And one thing I love about the screenplay is
the relationship between him and his baby-mama Juno:
they’re just friends.  They had sex once.  But the script
doesn’t dwell on any “what are we gonna do!” madness.

And then there are Juno’s parents played by Allison
Janney (The West Wing)and J. K. Simmons (he plays Peter
Parker’s editor at the newspaper in the Spiderman movies)
who give stellar performances. And, finally— if I can
think of another superlative—there is Jennifer Garner and
Jason Bateman, who steal the show: both magnificent. It’s
the Garner storyline in particular that, in the final
analysis, won me over on Juno.

As with all great movies, it’s not just the beating of
one single note: but an array of subplots and minor
characters whose lives are affected by the lead
character’s trajectory that make for an ideal movie
experience.  We see how Juno is affecting so many
people’s lives. And, in her separate relationships
with the Garner and Bateman characters, we see an
evolution in her understanding of human nature. And
again, how many movies about teen pregnancy do you know
that aren’t about what a big, dumb mistake it is.
Juno is practically matter-of-fact about the pregnancy
itself. Instead it’s about the world we live in.  Its
about how less screwed up Juno is in light of how more
screwed up the adults are around her. And it’s about
how everything can be okay, no matter how bleak the
outlook.

OSCAR UPDATE: Juno was nominated for Best Picture, Best Directing, Best Actress and Best Screenplay. Diablo Cody won a well deserved Best Screenplay Oscar for her witty and honest writing in Juno. She gave a moving acceptance speech thanking her amazing director (Jason Reitman), lead actress (Ellen Page), and her mom for "accepting me just the way I am."