2008 Academy Award Nominations and Oscar Update

The 2007 Academy Awards were last night! (February 24th) This has been a great year for films. In fact, there were so many good films, that some films and actors that may have won on previous years weren't even nominated. But the nominated films are outstanding! Not a dud in the bunch. As expected, No Company for Old Men and There Will be Blood got the most nods with eight nominations each and Michael Clayton (Yeah!) coming in at seven nods.

OSCAR UPDATE: No Country for Old Men swept the Oscars with Javier Bardem winning best supporting actor (no surprise there) and writer/directors Joel Coen and Ethan Coen winning best adapted screenplay, best directing, and best picture. Daniel Day-Lewis gave a theatrical acceptance speech for Best Actor for, There Will Be Blood. And Robert Elswit gave There Will Be Blood it's second Oscar for Cinematography.

Michael Clayton is nominated for (and deserves to win) Best Picture, Best Director, and Best Screenplay for it's powerful, dynamic story about moral responsibility and redemption written and directed by Tony Gilroy. There are also some Oscar caliber performances: George Clooney (Best Actor),Tilda Swinton (Best Supporting Actress) and the outstanding Tom Wilkinson for Best Supporting Actor.

OSCAR UPDATE: Tilda Swinton represented Michael Clayton by winning their only Oscar. She appropriately gave credit to her talented writer/director Tony Gilroy.

I'm thrilled that The Diving Bell and the Butterfly (review below) was nominated for so many awards including Best Adapted Screenplay, Best Directing, Best Cinematography and Best Editing! Seems to me that it should have been nominated for Best Picture too. (I would have picked it as number one on my "2007 Best Films" list but it came to Tucson too late. Oh, well...)

But there were some other pleasant surprises too. This was the year for women screenwriters and screenwriter/directors! Just check out all the nominations for Juno -- including Best Directing (Jason Reitman), Best Actress (Ellen Page), best screenplay, and best picture! Lars and the Real Girl was also nominated for best screenplay! Two comedies nominated for best screenplay and both written by women - unheard of! Hurray for Diablo Cody (Juno) and Nancy Oliver (Lars and the Real Girl)! Away from Her got a nomination for best adapted Screenplay and Best Actress (Julie Christie)! Kudos to writer/director Sarah Polley! The Savages was also nominated for best actress (Laura Linney) and best screenplay. Congrats writer/director Tamara Jenkins! Four screenwriting nods to women! Not to mention the best animated feature nominee writer/director Marjane Satrapi for Persepolis!

OSCAR UPDATE: Diablo Cody gave a moving acceptance speech where she thanked her amazing director (Jason Reitman), lead actress (Ellen Page), and her mom for "accepting me just the way I am."

Marion Cotillard deserved her Best Actress award for her transformational acting in La Vie en Rose.

Other RI reviewed films that were nominated are: “Raise It Up” from August Rush and "Falling Slowly” from Once were nominated for Best Song. The Kite Runner and Michael Clayton were nominated for Best original score! "

OSCAR UPDATE: The performers/writers of the winning song,Glen Hansard and Marketa Irglova, gave stirring speeches about how much it meant for them and independent musicians to win this award for their $100,000. little film.

I've highlighted the films that Reel Inspiration has promoted just in case you'd like to root for those. You can bet your sweet jujubees I will be!

OSCAR UPDATE:
There were several disappointments for me. I really thought that The Diving Bell and the Butterfly deserved best cinematography and editing. And I hoped against hope that Tom Wilkinson would win best supporting actor for his dynamic work in Michael Clayton. Also, Persepolis was definitely slighted by big studio production “Ratatouille.”

I'm delighted for our three wins - especially that Diablo Cody won for her honest and witty script, Juno and that Glen Hansard and Marketa Irglova won for their song, "Falling Slowly." Great job!

Movie Blessings!
Jana Segal
Reel Inspiration

OSCAR NOMINATIONS:
(Winners in Gold)

Performance by an actor in a leading role
George Clooney in “Michael Clayton”
Daniel Day-Lewis in “There Will Be Blood”
Johnny Depp in “Sweeney Todd...”
Tommy Lee Jones in “In the Valley of Elah”
Viggo Mortensen in “Eastern Promises”

Performance by an actor in a supporting role
Casey Affleck in “The Assassination of Jesse James by the Coward Robert Ford”
Javier Bardem in “No Country for Old Men”
Philip Seymour Hoffman in “Charlie Wilson’s War”
Hal Holbrook in “Into the Wild”
Tom Wilkinson in “Michael Clayton”

Performance by an actress in a leading role
Cate Blanchett in “Elizabeth: The Golden Age”
Julie Christie in “Away from Her”
Marion Cotillard in “La Vie en Rose”
Laura Linney in “The Savages”
Ellen Page in “Juno”

Performance by an actress in a supporting role
Cate Blanchett in “I’m Not There”
Ruby Dee in “American Gangster”
Saoirse Ronan in “Atonement”
Amy Ryan in “Gone Baby Gone”
Tilda Swinton in “Michael Clayton”

Best animated feature film of the year
“Persepolis” (Sony Pictures Classics) Marjane Satrapi and Vincent Paronnaud
“Ratatouille” (Walt Disney) Brad Bird
“Surf's Up” (Sony Pictures Releasing) Ash Brannon and Chris Buck

Achievement in art direction
“American Gangster” Art Direction: Arthur Max; Set Decoration: Beth A. Rubino
“Atonement” : Art Direction: Sarah Greenwood; Set Decoration: Katie Spencer
“The Golden Compass” Art Direction: Dennis Gassner; Set Decoration: Anna Pinnock
“Sweeney Todd The Demon Barber of Fleet Street” Art Direction: Dante Ferretti; Set Decoration: Francesca Lo Schiavo
“There Will Be Blood” Art Direction: Jack Fisk; Set Decoration: Jim Erickson

Achievement in cinematography
“The Assassination of Jesse James by the Coward Robert Ford” Roger Deakins
“Atonement” Seamus McGarvey
“The Diving Bell and the Butterfly” Janusz Kaminski
“No Country for Old Men” Roger Deakins
“There Will Be Blood” Robert Elswit

Achievement in costume design
“Across the Universe” Albert Wolsky
“Atonement” Jacqueline Durran
“Elizabeth: The Golden Age” Alexandra Byrne
“La Vie en Rose” Marit Allen
“Sweeney Todd The Demon Barber of Fleet Street” Colleen Atwood

Achievement in directing
“The Diving Bell and the Butterfly” Julian Schnabel
“Juno” Jason Reitman
“Michael Clayton” Tony Gilroy
“No Country for Old Men” Joel Coen and Ethan Coen
“There Will Be Blood” Paul Thomas Anderson

Best documentary feature
“No End in Sight” (Magnolia Pictures): A Representational Pictures Production: Charles Ferguson and Audrey Marrs
“Operation Homecoming: Writing the Wartime Experience” (The Documentary Group): A Documentary Group Production : Richard E. Robbins
“Sicko” (Lionsgate and The Weinstein Company): A Dog Eat Dog Films Production: Michael Moore and Meghan O’Hara
“Taxi to the Dark Side” (THINKFilm): An X-Ray Production: Alex Gibney and Eva Orner
“War/Dance” (THINKFilm): A Shine Global and Fine Films Production: Andrea Nix Fine and Sean Fine

Achievement in film editing
“The Bourne Ultimatum” Christopher Rouse
“The Diving Bell and the Butterfly” Juliette Welfling
“Into the Wild” Jay Cassidy
“No Country for Old Men” Roderick Jaynes
“There Will Be Blood” Dylan Tichenor

Best foreign language film of the year
“Beaufort” A Metro Communications, Movie Plus Production
Israel
“The Counterfeiters” An Aichholzer Filmproduktion, Magnolia Filmproduktion Production
Austria
“Katyń” An Akson Studio Production
Poland
“Mongol” A Eurasia Film Production
Kazakhstan
“12” A Three T Production
Russia

Achievement in makeup
“La Vie en Rose” Didier Lavergne and Jan Archibald
“Norbit” Rick Baker and Kazuhiro Tsuji
“Pirates of the Caribbean: At World’s End” Ve Neill and Martin Samuel

Achievement in music written for motion pictures (Original score)
“Atonement” Dario Marianelli
“The Kite Runner” Alberto Iglesias
“Michael Clayton” James Newton Howard
“Ratatouille” Michael Giacchino
“3:10 to Yuma” Marco Beltrami

Achievement in music written for motion pictures (Original song)
“Falling Slowly” from “Once” Music and Lyric by Glen Hansard and Marketa Irglova
Happy Working Song” from “Enchanted” Music by Alan Menken; Lyric by Stephen Schwartz
“Raise It Up” from “August Rush” (Warner Bros.): Nominees to be determined
“So Close” from “Enchanted” Music by Alan Menken; Lyric by Stephen Schwartz
“That’s How You Know” from “Enchanted” Music by Alan Menken; Lyric by Stephen Schwartz

Best motion picture of the year
“Atonement” (Focus Features) : A Working Title Production ; Tim Bevan, Eric Fellner and Paul Webster, Producers
“Juno” (Fox Searchlight): A Dancing Elk Pictures, LLC Production; Lianne Halfon, Mason Novick and Russell Smith, Producers
“Michael Clayton” (Warner Bros.): A Clayton Productions, LLC Production; Sydney Pollack, Jennifer Fox and Kerry Orent, Producers
“No Country for Old Men” (Miramax and Paramount Vantage): A Scott Rudin/Mike Zoss Production; Scott Rudin, Ethan Coen and Joel Coen, Producers
“There Will Be Blood” (Paramount Vantage and Miramax): A JoAnne Sellar/Ghoulardi Film Company Production; JoAnne Sellar, Paul Thomas Anderson and Daniel Lupi, Producers

Achievement in sound editing
“The Bourne Ultimatum” Karen Baker Landers and Per Hallberg
“No Country for Old Men” Skip Lievsay
“Ratatouille” Randy Thom and Michael Silvers
“There Will Be Blood” Matthew Wood
“Transformers” Ethan Van der Ryn and Mike Hopkins

Achievement in sound mixing
“The Bourne Ultimatum” Scott Millan, David Parker and Kirk Francis
“No Country for Old Men” Skip Lievsay, Craig Berkey, Greg Orloff and Peter Kurland
“Ratatouille” Randy Thom, Michael Semanick and Doc Kane
“3:10 to Yuma” Paul Massey, David Giammarco and Jim Stuebe
“Transformers” Kevin O’Connell, Greg P. Russell and Peter J. Devlin

Achievement in visual effects
“The Golden Compass” Michael Fink, Bill Westenhofer, Ben Morris and Trevor Wood
“Pirates of the Caribbean: At World’s End” John Knoll, Hal Hickel, Charles Gibson and John Frazier
“Transformers” Scott Farrar, Scott Benza, Russell Earl and John Frazier

Adapted screenplay
“Atonement” Screenplay by Christopher Hampton
“Away from Her” Written by Sarah Polley
“The Diving Bell and the Butterfly” Screenplay by Ronald Harwood
“No Country for Old Men” Written for the screen by Joel Coen & Ethan Coen
“There Will Be Blood” Written for the screen by Paul Thomas Anderson

Original screenplay
“Juno” Written by Diablo Cody
“Lars and the Real Girl” Written by Nancy Oliver
“Michael Clayton” Written by Tony Gilroy
“Ratatouille” Screenplay by Brad Bird; Story by Jan Pinkava, Jim Capobianco, Brad Bird
“The Savages” Written by Tamara Jenkins

"The Diving Bell and the Butterfly" (Le Scaphandre et Le Papillon)

by Josh Valentine
Indiebum

An unbelievable epic, “The Diving Bell and the Butterfly” is one of the most beautifully written, directed, and acted films of this year and of all time. Julian Schnabel’s French import is an amazing vision blooming with innovative directing techniques that are not often seen in American film. This is one of the best directed films this year, and one of the best foreign films of all time.

The film tells the story of Jean-Dominique Bauby (played miraculously by Mathieu Amalric) the former editor of French Elle whose life was sadly rendered by a massive stroke. The stroke left him paralyzed from head to toe with a rare illness called “locked-in syndrome, leaving only his mind and his left eye active. As Bauby recuperates, he begins to dictate a book about his affliction through the blink of his eye with the aid of three beautiful nurses Henriette (Marie-Josée Croze), Claude (Anne Consigny), and Marie (Olatz Lopez Garamendia).

The movie does an amazing job of telling the story through an excellent adaptation of Bauby’s memoir. We hear Bauby’s thoughts, almost completely made up by screenwriter Ronald Harwood. Harwood’s Bauby is an extremely intelligent man which adds a lot of sadness to the tale. From the outside it would seem like he would be quite the opposite due to his lazed physical appearance. The invented inner dialog shows a much sadder side to the story.

The film is directed like no other. Schnabel, who directed the fabulous biopic “Basquiat”, takes his job to new heights setting a new standard. “Diving Bell” is very well thought out. For example, the opening scene depicts Bauby’s awakening from his comatose state. The sequence lasts a few minutes, and the viewer really gets a feel for how confused the patient is and how claustrophobic he is feeling. The whole film is a little claustrophobic, but it is hardly uncomfortable.

Once more, the character of Jean-Dominique Bauby is very well developed. He has a very creative mind, something that spurs many glorious scenes which explore his imagined experiences. These sequences are incredibly delivered through Schnabel’s eye, Harwood’s script, and the amazing inspiration from Bauby’s memoir.

“Diving Bell” is also filled with triumphant performances. Mathieu Amalric, who was introduced to American audiences in Spielberg’s spectacular “Munich”, is a revelation. He barely speaks throughout the movie, but the sadness in his eyes could move mountains. Equally fantastic is the legendary Max von Sydow, playing Bauby’s sad father Papinou. Sydow’s performance is tragically impressive and his few scenes on the screen are heart wrenching.

Also outstanding is the beautiful Emmanuelle Seigner, who plays the estranged lover/mother of Bauby’s children. Her character is terribly sad in both her storyline and the fact that she puts on such a real face of hopefulness. She knows that she may lose Bauby in many ways, but she works through the pain to keep her family happy. There is one scene in which she breaks down, and it is probably one of the saddest scenes in recent film history. Seigner is absolutely superb, and after appearing in 2007’s other huge French film “La Vie En Rose”, it is sure that we will see a lot more of her.

Like many of the other movies that have proven spectacular these few weeks, the soundtrack to the film is equally as terrific. The list of songs may be short, but they fit the film perfectly. The use of artists like The Velvet Underground, Tom Waits, U2, Ultra Orange & Emmanuelle, and an amazing theme by Paul Cantelon create an amazing explosion of musical intensity that just work well with the movie and the audience.

“The Diving Bell and the Butterfly” proves a much more interesting theater experience than your average run of the mill movie. It is revolutionary in many different ways. The movie will undoubtedly get some Oscar attention after its three Golden Globe nominations (Best Director, Best Screenplay, and Best Foreign Language Film), most likely scoring some recognition for Julian Schnabel and his faultless directing style.

OSCAR UPDATE: The Diving Bell and the Butterfly was nominated for Best Directing, Best Adaptation, Best Editing, and Best Cinematography. (See 2008 Academy Award Nominations for more details.)


For more reviews from Josh and to see his Best Films List, visit: http://www.indiebum.com/