While grieving the death of her husband, Amelia (Essie Davis in an Oscar worthy performance) struggles to raise a son with behavioral issues. Since the tragedy, her son Samuel’s (Noah Wiseman) childhood fears have intensified. Checking for monsters under the bed and in the closet has become a nightly ritual. The situation gets worse when a children’s Gothic picture book called, “Mister Babadook,” pops up. Assuming that it is a story about coping with the childhood fear of monsters under the bed, Amelia begins reading it to Samuel. The director takes this familiar domestic scene and infuses it with a sense of dread. It soon becomes evident that there is no happy ending in this bed-time tale. The storybook child doesn't make friends with the monster, but understands that it is here to stay. “If it’s in a word or it's in a look, you can’t get rid of the Babadook.”
The book unleashes an evil being that only Samuel can see. “I’ll kill the monster when it comes,” he tells his mom, “I’ll smash its head in.” He constructs a crude trebuchet to protect them. As his behavior becomes more erratic and violent, mother and son become isolated from family, friends or any kind of support system. Tired to the bones, Amelia grows seriously depressed, trapped in this impossible situation with a strange child she doesn't understand. The movie breaks an industry taboo by showing the darker side of motherhood – the idea of a mother resenting or disliking her child.
|Writer/Director Jennifer Kent|
I was blown away by this film. I left the movie theater still trying to process it. I asked a horror fan in the lobby what he thought of it. He said it wasn't really his kind of horror. I wondered why. Certainly, there weren't the blood and guts of a slasher flick, but there were plenty of jumps and starts. And I felt a lingering sense of dread throughout. He said he preferred things more black and white. Good vs. evil. That was one of the things I liked about it – that it wasn't that simple. It required reflection on the part of the audience. Even the monster’s origin wasn't painted out for us. The horror comes from the tragic situation – how their grief unhinged the little family as they became increasingly isolated.