Monday, July 13, 2015

Most Inspiring Films 2014




I have been blessed to write about movies that highlight diverse cultures creating an understanding that we are all more alike than different. Lately, I’ve felt an urgent need since the media has been so aggressive in fostering fear to divide us. It has been my honor to spotlight directors like Niki Caro (“Whale Rider”, “McFarland USA”). In an interview with Bryan Abrams, Niki ruminated on her vision, “Basically, all I do is light up what I think is beautiful.” For my “Most Inspiring Films 2014” list, I have chosen films that illuminate our shared humanity and cast light on the important issues of our time.

Enjoy!


14) “Spare Parts,” is the true story of four poor undocumented high school students’ courage and determination to pursue a better life by competing against the country’s best robotic teams. These teens persevere despite daunting challenges of: supporting a family, protecting a delinquent brother, being tracked down by ICE (Immigration and Customs Enforcement), being homeless, and constant fear of being deported. It is inspiring (and funny!) watching them figure out how to make an underwater robot with an $800 budget, PVC piping and other “spare parts.”




13) When the Kadam family loses their mother and their restaurant in a political riot, they flee India for France. Papa Kadam sees it as a sign when their brakes give out outside of Saint-Antonin-Noble-Val and he sets up the town’s first Indian restaurant featuring his talented son Hassan as head cook. A rivalry breaks out between Papa Kadam and Madame Mallory, the owner of the acclaimed French restaurant across the street. An aspiring chef, Hassan longs to take the “The Hundred-Foot Journey” to learn from Madame Mallory. Can their shared passion for food bridge their cultural differences? This film is a foodie’s feel good paradise. But more than that – it touches on our fear of outsiders and celebrates what immigrants bring to their host country. The very act of sharing cultural traditions removes the barriers that separate us.

12) “Welcome to Me,” opens with Alice Klieg affirming along with Oprah, “Everybody comes to our beautiful planet Earth to do something great, something unique, something that only you were born to do.” When she wins 86 million dollars in the lottery, she hires an infomercial company to produce her talk show – about herself. What appears to be a vanity project is really about wanting to be seen and understood. In a cooking demonstration, she “bakes” a meat cake from her high protein diet to share how she is capable of controlling her illness (currently called borderline personality disorder) without depending on mind-numbing meds. I love the way “Welcome to Me” shows that someone with mental illness is capable of having a caring relationship and is worthy of love - that they also have positive traits and talents we can admire. This movie does much to create understanding of mental illness and raises questions about how we as a society deal with it.


  11) Despite having a loving girlfriend who finds his OCD rituals endearing, Hector is feeling increasing dissatisfied with his life and work as a psychiatrist. He realizes that his patients aren’t getting any happier and sets off on a journey to find out what makes us happy. Traveling along with “Hector and the Search for Happiness” on this picturesque journey across the world, we glean important spiritual lessons from his experiences.

10) “The Lunchbox” delivers a bitter-sweet “slice of life,” spiced with pinches of humor. The story was inspired by the Babbawala, a 125 year-old tradition of delivering tiffin lunches from homes to the work place. The lunchboxes represent the countless generic Mumbai workers who cram onto trains to commute to their jobs every day. In fact, the lunchboxes make the same commute. Famous for its efficiency, it is said that only one in a million lunchboxes is ever lost. When a lonely house wife attempts to win her husband’s love by sending him a special lunch, it ends up in the hands of a grouchy widower who just wants to be left alone until his imminent retirement. The miraculous appearance of that special lunch nudges him out of his solitude. These two lonely people, lost in the modern world, connect over a good meal and details of their lives scribbled on scraps of paper.


9) “Interstellar” touches on a dire concern of our time: the denial of science. As a result, the earth has become unable to sustain human life since all the crops (except for one variety of corn) have been wiped out by the blight. History has been rewritten to exclude the moon landing because it is thought of as a waste of time, effort, and resources. NASA was dropped with the economic collapse. Former astronaut Cooper mourns the loss, “We used to look up at the sky and wonder about our place in the stars, now we just look down and wonder about our place in the earth.” Fortunately, NASA went underground and may be humanity’s only hope. Cooper is forced to make the heart wrenching decision between staying to comfort his children during their last days, or heading to space on the slim chance that he can find another planet that is habitable. We watch breathlessly as the crew blasts off into space. Time itself is nonlinear as we shoot through the wormhole to explore another galaxy with them. Nolan challenges the recent political travesty that science is expendable by staying true to established physical laws.


8) “Still Alice,” is the poignant story of a brilliant linguist (Oscar winner Julianne Moore) who recognizes that she is losing her ability to understand the meaning of even simple words. That awareness is the painful part. She sees her identity fading away and can’t bear the idea of living as a shell of her former self. She fights to hold on to her connection with her precious words, her loved ones, and her life. She comes to the realization that she must live in the present and enjoy her last moments with her family because, “This might be the last year that I am totally myself.” In a heart-wrenching scene, she pleads with her husband to spend time with her now while she is still present, while she is “Still Alice.”

7) “McFarland USA” is based on the true story of a group of poor migrant Mexican-American farm workers who become champion runners with the encouragement of Coach White. Immersed in their culture, home life, and community, we start to really care about these kids. The migrant workers in McFarland epitomize the American Dream in their struggle to make a better life for their children. But they create their own version by balancing work, family and community. Using the incredible strength it takes to work long hours in the fields, go to school, and then run 8-10 miles a day, the teens learn that they can accomplish anything.

6) I was deeply moved by this powerful documentary on how our farm workers are treated in this country. The people who harvest our food work a brutal 13 hour day, and still don’t make enough to adequately feed and house their families. This movie shows the courageous efforts of a group of farm workers who are rallying support for "Fair Food." This organization is standing up to grocery store chains demanding that they pay enough to provide workers a living wage. “Food Chains” does an admirable job creating awareness of one of the most important humanitarian issues of our time and clearly explaining what we can do to correct it.

5) While grieving the death of her husband, Amelia struggles to raise a son with behavioral issues. Since the tragedy, her son Samuel’s childhood fears have intensified. Checking for monsters under the bed and in the closet has become a nightly ritual. The situation gets worse when a children’s Gothic picture book called “Mister Babadook” pops up. The familiar domestic scene of reading a bedtime story is infused with a sense of dread. The book unleashes an evil being that only Samuel can see - “The Babadook.” As his behavior becomes more erratic and violent, mother and son become isolated from family, friends, or any kind of support system. Tired to the bones, Amelia grows seriously depressed. This is a different kind of horror film where shocking violence is replaced by artistry and authentic emotions. Societal taboos are challenged by showing a woman’s inner world and by shining a flashlight on the dark side of motherhood.



4) Supported by his wife Lélia, Sabastiao Salgado dedicated his life to traveling the globe as a witness to the slave conditions in Brazil’s Serra Pelada gold mines, famine in Ethiopia, and genocide in Rwanda. His harrowingly beautiful photographs of the people he thought of as “The Salt of the Earth,” called worldwide attention to some of the most horrific atrocities of mankind. Devastated by that cruelty, he returned to his family farm in the Brazilian rainforest only to find that drought had savaged the land. He and his wife Lélia decided to replant the rain-forest.

3) In 1761, Dido Elizabeth Belle was born the daughter of a British slave and Captain Sir John Lindsay. She was raised by aristocratic grandparents with the privileges afforded one of noble blood. What makes this story so incredible is that her beloved grandfather was the justice of the appeals court that officiated an insurance dispute by the captain of the slave ship Zong - a case that may have led to the emancipation of British slaves. “Belle” is dressed up as a lavish historical costume drama, embroidered with romance, its delicate fabric interwoven with threads of relevant themes. It inspires hope with its theme, “What is right can never be impossible.”



2) Unable to find a job in this economy, Lou Bloom is desperate to make a living. He has been sold the American Dream and will do anything to get it. He happens onto a profitable way to make a living – as a “nightcrawler” videotaping gruesome crime scenes for the local news.  The news manipulates wealthy consumers’ fears by showing urban crime creeping into their suburbs. The best-selling images are bloody carjackings and home invasions by minorities. The movie becomes more frightening as we discover that Bloom will do absolutely anything to get the money shot. His homeless “intern” isn’t a person to Bloom at all, but a means to make money. Bloom doesn't take care of his one employee, but puts him in the line of fire. Through the intern’s eyes we see and feel the danger as their red Challenger recklessly speeds to the next crime scene. "Nightcrawler” is more than a thriller, it’s a fable about the American Dream. It’s a metaphor for an important theme in politics today: profit vs. humanity.

1) African-Americans were humiliated, threatened with losing their jobs, beaten or even killed for attempting to vote in the South. A group of civil rights activists, including Martin Luther King, decide to fight for the unobstructed right to vote. When their peaceful demonstrations are met with violence by the police, the community rallies together to organize a non-violent march from “Selma.” I was deeply moved by the image of marchers from diverse religions, black and white, standing together against injustice and inhumanity.


This has been such a great year for films! I chose movies that stayed with me and continue to inspire me - films that moved me to write about them. I also recommend Foreign Language Film Nominees: “Tangerines,” “Timbuktu,” and Oscar winner, “Ida as masterful works of art that explore the devastating impact of war and religious intolerance.

What are your favorite inspiring films of 2014? I would love to hear about them. Feel free to share films or your thoughts in the comment section below.

Movie blessings from 2014!
Jana Segal
www.reelinspiration.blogspot.com

Sunday, June 28, 2015

Interstellar: Exploring the Wonder of Science


Interstellar,” touches on a dire concern of our time: the denial of science. As a result, the earth has become unable to sustain human life since all the crops (except for one variety of corn) have been wiped out by the blight. The last of our resources have been expended in growing corn. Our public school system has been reduced to crowd control and survival skills. Director Christopher Nolan and screenwriter Jonathan Nolan bring out the human side through the relationship between corn farmer/former astronaut Cooper (Matthew McConaughey) and his daughter, Murph (Mackenzie Foy). It’s not enough that he’s dealing with the imminent demise of the world, Cooper is called into the principal's office. But this time it isn't about his son getting into a fight. His science geek daughter, Murph, is reprimanded for insisting that there was once a space program. History has been rewritten to exclude the moon landing because it is thought of as a waste of time, effort, and resources. NASA was dropped with the economic collapse. Cooper mourns the loss, “We used to look up at the sky and wonder about our place in the stars, now we just look down and wonder about our place in the earth.”


Fortunately, NASA went underground and may be humanity’s only hope. Cooper is forced to make a heart wrenching decision between staying to comfort his children during their last days, or heading to space on the slim chance that he can find another planet that is habitable.  Murph is left with only a broken watch to await his return. 

Theoretical physicist Kip Thorne
We watch breathlessly as the crew blasts off into space. It is almost as if time is nonlinear as we shoot through the wormhole to explore another galaxy with them. Nolan seems to challenge the recent political travesty that science is expendable by staying true to the physical laws. Theoretical Physicist Kip Thorne was more than just a consultant on the set. He was brought in from the inception to develop the treatment with producer Lynda Obst (of "Contact").

Thorne worked closely with the VFX to help them visualize black holes in space. Their simulations were based on the equations he provided.


“Interstellar,” is a testament to the importance of science and the space program. But it transcends physical dimensions with lofty ideas and wonder.

Movie blessings! 
Jana Segal
www.reelinspiration.blogspot.com


Saturday, June 20, 2015

"Hector and the Search for Happiness"

My guys loved “Hector and the Search for Happiness.” My eldest son had urged me to write a review of it back when it first premiered, but I had some initial resistance since it seemed to be yet another movie coasting on the New Age trend and overused plot devices.  At his insistence, I gave it another look.

Light-hearted novelistic narration (similar to “Stranger than Fiction,”) sets the tone. “Once upon a time there was a young psychiatrist called Hector (Simon Pegg) who had a very satisfactory life. His world was tidy, uncomplicated and he liked it that way.”  My teenage sons laughed during the corresponding montage of Hector’s OCD home life contrasting with his work life as a disconnected, doodling psychiatrist with neurotic and manic patients.

By all rights, Hector should be happy. He has a lovely, charming girlfriend (Rosamund Pike) who loves her Hector for his peculiar quirks. Clara seems content in maintaining his orderly life, while advancing her career. At a work party in her honor, the cracks show through. Her boss jokes that what he likes most about Clara is that she never takes off for maternity leave. When she raises her glass in a toast, “to making a difference,” her boss yells over her, “to making money!”

Back at his office, a psychic patient of Hector’s announces that she can see through his “psychiatrist tricks” and knows that he is just going through the motions. His other patients’ constant whining about trivial concerns finally gets to Hector and he loses it. He realizes that he isn’t helping them get any happier, so he decides to set off on a journey to find the secret to happiness.

His ever-supportive girlfriend gives him permission to “make the most of it.” She sends him off with a notebook with an inscription, “Hector’s search for happiness – a journey. Fill these pages.” The sketches of his experiences and his list of lessons on happiness become the framework of the story.

I released my resistance and uncovered deeper meaning on the second screening. Hector’s story demonstrated some of the same spiritual principles that I had experienced in my own journey. Once I expressed the intent to find out what I was put on this earth to do, the universe kicked in to teach me.  Likewise, once Hector expresses the intent to discover how to be happy, the universe reaches out to show him.

A world weary businessman offers to show Hector what real happiness is by sharing the pleasures that money can buy in Shanghai. Hector writes, “A lot of people think happiness means being richer and more important.” But it becomes clear that the businessman is only living for the next financial conquest. Constantly working towards a goal is a way of avoiding life - and happiness.


Hector takes the prerequisite New Age trek to a Buddhist temple in the Himalayas.  Hector asks the famous monk how he is able to be happy when he has gone through so much. The monk answers that he is happy BECAUSE he has gone through so much. Hector scribbles, “Avoiding unhappiness is not the road to happiness.” The monk takes Hector to see colorful cloth strips flapping in the wind. As he and the other monks joyfully laugh and dance under the colorful strips, he calls out, “Hector! Look at all of them!”  

But it isn’t enough to jot down lessons in his journal, Hector must experience them himself. Next stop Africa, to help his doctor friend care for the villagers. His journal entry reads, “Happiness is answering your calling.” But Hector has more to learn. He has to go through some brutal experiences to finally feel alive.  

Hector’s search for happiness takes him across the world.  But he only experiences the brilliant colors inside of him when he decides to take down the walls he built and be present in his life and work. His true happiness lies in sharing that authentic, messy life with Clara.  

Movie blessings! 
Jana Segal
www.reelinspiration.blogspot.com

Friday, June 12, 2015

Artists Light the Path


Since my post on, "5 Flights Up," I have been ruminating on whether artists really make a difference in our world today. 


In a addition to enriching and inspiring our lives, artists make a difference by casting light on humanity. In, “The Salt of the Earth,” Win Wenders trains his camera on the Brazilian social photographer Sabastiao Salgado and his art.  

“A photographer is literally someone drawing with light. A man (or woman) writing and rewriting the work with light and shadows.”

Wenders took up this project because he was profoundly moved by Sabastiao’s haunting photographs and how they capture the light and shadows of humanity.  Sabastiao Salgado felt called to shine a light on the human faces of some of the most extreme historical tragedies (famine, genocide, slavery) of the last 40 years. Supported by his wife Lélia, he dedicated his life to traveling the globe as a witness to the slave conditions in Brazil’s Serra Pelada gold mines, famine in Ethiopia, and genocide in Rwanda (among others.)  His harrowingly beautiful photographs called worldwide attention to some of the most horrific atrocities of mankind.

What makes this documentary even more poignant is that it was co-directed by Sabastiao Salgado’s son, Juliano Salgado.  While Sabastiao’s wife encouraged him to follow his path, his son was left without a father.  By working on this film, Juliano grew to understand the importance of his father’s work.

But witnessing all that suffering eventually took its toll on Sabastiao.  Deeply wounded by the degree of human cruelty and bloodshed in Rwanda, Sabastiao was forced to give up his mission. But instead of defeating this courageous man; it inspired a revolutionary new path.  Returning to his family farm, he found that drought had savaged the land. What had once been a lush rain-forest, had become a stark desert.

His wife Lélia suggested that they try to replant the paradise that he had known as a child.  They cultivated a new way to reinvigorate the barren land. They successfully planted 100,000 native trees and other vegetation and eventually brought back the rain-forest!

Sabastiao Salgado journeyed the world – just to find his mission in his own back yard.

 Lélia and Sabastiao Salgado's farm today.
Another social photographer, Lisa Kristine, has taken up the lantern and is casting light on the human face of slavery.  Working with Free the Slaves, Lisa braved hell on earth to witness and document the lives of modern day slaves. At TEDx Maui, she shared her devastating photos and stories.  I was shocked to find that there are currently over 27 million people enslaved – double the number of people taken from Africa during the Trans-Atlantic slave trade.  Families have been enslaved for generations for debts as low as $18. Many have been enslaved so long that they don’t know they are slaves. It was all they have ever known.


In the brick kilns of India and Nepal, whole families work 16 hours in scorching heat without water or restroom breaks. They essentially live in ovens. While photographing the kilns, Lisa’s camera stopped working. To revive it, she had to give it air-conditioned breaks. She recognized the sad irony that her camera was treated better than these people. In another part of India, families are enslaved in the silk trade. It is their job to dip their hands into the toxic dye. One father said that they hoped to someday to have their own silk business, so they could get paid for “dyeing.” In the Himalayas, children carry huge slates of stone on their backs. On Lake Volta, children are forced to work all night untangling heavy fishing nets petrified that they will topple their little fishing boats and drown because they can’t swim.  In Ghana, mothers carry their babies as they pan for gold while wading in water poisoned with mercury.  In Kathmandu, women and children experience violent abuse as sex slaves. In our own backyard, as many as 300,000 American children have been sold into the sex industry.


As a representative of Free the Slaves, Lisa descended a narrow mine shaft alongside men with tuberculosis and mercury poisoning forced to work 72 hours in the dark.  In addition to the torturous conditions, she found hope piercing the darkness like mine lanterns. Manuru, who had inherited his uncle’s debt, valiantly worked with tuberculosis and an infected leg. Free the Slaves has given him hope that one day he will be freed and receive an education.


Lisa felt humbled by these people’s quiet dignity and endurance.  “This sort of determination in the face of unimaginable odds fills me with complete awe. I want to shine a light on slavery.  I told the workers that I wanted to illuminate their stories and their plight. (That) we will be bearing witness to them. We will do whatever we can to make a difference in their lives. If we can see each other as fellow human beings, then it becomes very difficult to tolerate atrocities like slavery. I hope these images awaken a force in those who view them, people like you, and I hope that force will ignite a fire and that fire will shine a light on slavery. For without that light the beast of bondage will continue to live in the shadows.”

Dorothea Lange lit the way for these social photographers.

"Migrant Mother" by Dorothea Lange

From 1935-39, Dorothea Lange's photographs brought the plight of the poor and forgotten (sharecroppers, displaced farm families, and migrant workers) to public attention.

These courageous artists light a path through the darkness. Do they make a difference? That depends on whether we take up the lantern.

Movie blessings! 
Jana Segal
www.reelinspiration.blogspot.com



Note: On the day after Thanksgiving in 1960, CBS News aired the Edward R. Morrow documentary, "Harvest of Shame" showing the deplorable conditions our migrant farm workers faced. Recently, I watched the documentary, "Food Chains" and was shocked to find that those desperate conditions still prevail today. But I was also inspired by the tomato pickers courageous fight for fair wages and treatment.

Friday, June 05, 2015

"The Hundred-Foot Journey" to Foody Paradise


From a young age, Hassan Kadam (Manish Dayal) was schooled in the art of savoring traditional Indian cooking by his mother. She taught him that food has a soul that holds cherished memories. When his family loses their restaurant and his beloved teacher in a political riot, the Kadams flee India for France. Papa Kadam (Om Puri) sees it as a sign when their brakes give out outside of Saint-Antonin-Noble-Val. A kind stranger, Marguerite, (Charlotte Le Bon) tows them to the village and shares the bounties of her garden with the hungry migrants. They can taste the soul in the local produce. Ignoring the protests of his frustrated children, Papa Kadam immediately sets up an Indian restaurant featuring his talented son as head cook.

The Hundred-Foot Journey” across the street leads to Madame Mallory’s (Helen Mirren) acclaimed French restaurant (where Marguerite also works as a sous-chef). Their rivalry escalates to all-out war. Despite being on opposite sides of the warring factions, Hassan and Marguerite can’t deny their common passion for food. They put great care into their cooking. Food is more than nourishment, it is love: comforting, healing, and sensual. Sharing it bonds families and communities. It can even bridge cultures. But they get so caught up in the competition for fame and success, that they lose track of love.

This film is a foody’s feel good paradise. But it has more to say. It touches on our fear of outsiders and celebrates what immigrants bring to their host country. It shows how people from different cultures can find common ground.

curry omelette
In an interview about the film, executive producer Oprah Winfrey expanded, "Food blends cultures and allows us to have just a little peek into someone else's life... It is about a hundred foot divide between cultures." Winfrey chose the book on which the film is based as a "favorite summer read" in 2010. She said, "It’s about human beings coming to understand other human beings and more importantly, after you get to experience or step into somebody else’s shoes or see them for a real human being, how you understand that you’re really more alike than you are different.”

Partaking of this sweet confection, we get a chance to savor the pleasures we all enjoy: lush vibrant landscapes, delectable cuisine, funny family quirks, and the thrill of a first kiss. The very act of sharing cultural traditions removes the barriers that separate us.

Movie blessings!
Jana Segal
reelinspiration.blogspot.com

Tuesday, May 26, 2015

Artist Haven "5 Flights Up."


Every day Albert (Morgan Freedman) takes his little dog out for a stroll through their gentrified Brooklyn neighborhood, then struggles to climb “5 Flights Up” to his beloved apartment/art studio and even more beloved wife, Ruth (Diane Keaton). When the dog suffers from a ruptured disk and has to be carried downstairs, it seems like it’s time for a new place with an elevator.  Their real estate agent/niece insists that they take advantage of the current escalated value in their trendy Hipster neighborhood.

Set on the weekend of their open house, not a lot happens in this pleasant little film. They worry about their dog. People traipse through their apartment trying to picture Albert’s art studio without “all that junk” (his paintings). Ruth tries to arrange for a showcase of his life’s work. When the gallery owner claims that it isn't hip enough, she loses it. She explains that he is an artist and he isn't about to adjust his vision for the latest trend.  I glance around the theater and see smiles all around.  It is delightful to see this charming couple still supportive and in-love after 40 years together. I love the way Albert and Ruth live life on their own terms – creating a haven where Albert can paint and Ruth tends her garden up on the roof.

Unfortunately, that liberty is threatened when a manhunt for a suspected terrorist causes gridlock on a nearby bridge and the couple feels pressured to sell before the media induced fear forces apartment prices down. Societal pressure to pursue financial gain encroaches on their happy home. 


My fiancé Dan and I try to create a haven where he can work on his humanitarian projects (Dan also plans to plant a heritage garden) and I can write my love projects, draft reviews of meaningful films, and be there for my teenage boys. I hope we are as happy as Ruth and Albert in ten years. 

One of the things I love about movies is how everyone brings their own stuff to the theater that they project onto the big screen.  A simple story like this leaves space for you to ruminate about similar experiences: long term relationships, selling your apartment, N.Y. City, your pooch, and for me – the struggle of being an artist in this profit driven society.

In this day and age when accumulating wealth is valued above all else, where do artists fit in? OK.  I admit it.  I’m upset that our governor has cut millions from education – forcing schools to drop art and music classes. Our city council plans to shut down our award-winning public access station (where I made my micro-budget movies and at-risk kids created cable programs). The city invests in street cars that connect sports bars, but cuts funding for events that connect our diverse community - like the Family Arts Festival and Tucson Meet Yourself. Beautiful architecture and historic buildings are torn down to make room for ugly office buildings.  I wonder if they will eventually close down everything that makes Tucson a great place to live. I understand that people are struggling just to make a living, but by throwing away the arts we are losing something that enriches our daily life and gives it meaning. Art is an expression of hope.  Art is important. End of rant.

I’m grateful that we still have The Loft, where we can catch up with this happy, loving couple in their artist haven... just, “5 Flights Up."

Movie blessings! 
Jana Segal
reelinspiration.blogspot.com

Saturday, May 23, 2015

Welcome to (the Real) Me


At first glance, this quirky indie comedy appears to be a send-up of our obsession with fame and pop psychology showcasing Kristin Wiig as a ditzy, narcissistic lottery winner who buys her own talk show, aptly titled, “Welcome to Me.”

This satire, by director Shira Piven and screenwriter Eliot Laurance, has so much more to say than the trailer lets on.  The movie opens with Alice Klieg (Kristin Wiig at her funniest) playing a worn out VHS recording of an Oprah Episode and affirming along with her hero, “Everybody comes to our beautiful planet earth to do something great, something unique, something that only you were born to do.” 

Director Shira Piven
Fortified with this belief, she heads off to the convenience store with her pink umbrella to buy her daily lottery ticket.  When she wins 86 million dollars, she doesn’t seem surprised at all. She is more interested in reading a prepared statement about how she realized her vision, than celebrating or spending her winnings. When her big moment is interrupted (she confesses her use of masturbation as a sedative), she has a meltdown. She reads another prepared statement to her psychiatrist about how she will no longer be needing his hurtful services since she will be living her new life as Millionaire Alice.  He encourages her to get back on her meds. Instead, she finds an outlet to express herself by hiring a failing infomercial company to produce her talk show – about herself.

What appears to be a vanity project, is really about a woman who wants to be seen and understood.  In the first episode, she shares how she created her own success with her positive affirmations. In a cooking demonstration, she “bakes” a meat cake from her high protein diet to show that she is capable of controlling her illness (currently called borderline personality disorder) without depending on mind numbing meds.  

I love how every detail of the set design shows what it’s like to be in Alice’s world. On stage is a replica of her bedroom with her collections organized by the colors of her moods, representing her need to control her world.  She finds comfort in her swan collection, so she shares that with her audience by riding in on a swan boat. 


Then there are the performance art segments of her show, which serve as unsupervised psychodrama. She watches from the stage as “actors” portray the traumatic events in her life. She gets so caught up in the recreations herself that she starts yelling at the people who hurt her.  When the actors get it right, she furiously points it out to the audience – as if to say, “See! See! Look what happened to me!” She has a desperate need to express herself, for others to know what she is going through. The good with the ugly and inappropriate.  She rends the walls of her soul laying open gaping wounds.

She develops a following – mostly because of a morbid fascination. Her fans can’t look away from the train wreck that is her life. She also gains their respect for the way she courageously bares her wounded psyche.  There are glimpses of genius as she portrays the truth that the rest of us are unwilling to face in ourselves or society. The audience watches until it gets too painful to continue.

After the hilarious set-up, sadness sat heavily at the bottom of my stomach.  It brought out the hopelessness I felt (still feel) when my son was “diagnosed” with a mental illness and the way he has been stigmatized by it and put on mind-altering drugs – numbing away his uniqueness and creativity. My smart, creative son who had all the promise in the world.

I love the way, “Welcome to Me,” shows that someone with mental illness is capable of having a caring relationship and is worthy of love - that they also have positive traits and talents we can admire. This movie does much to create understanding of mental illness…and raises questions about how we as a society deal with it. 

Movie blessings! 
Jana Segal 
www.reelinspiration.blogspot.com

Saturday, May 16, 2015

Women Share, "Every Secret Thing."

http://en.wikipedia.org/wiki/File:Every_Secret_Thing_poster.jpg#/media/File:Every_Secret_Thing_poster.jpg

My heart raced through the pre-show of the New York Film Critics premiere of, “Every Secret Thing.”  As I watched the trailer, I was blown away by the diversity of the cast and the number of prominent female characters. My excitement grew as the host introduced the women who drove the project: producer Frances McDormand, director Amy Berg, writer Nicole Holofener, and Actresses Diane Ladd and Dakota Fanning.  

Since only 5% of studio productions are directed by women, there was a lot riding on this production.  So few films, especially thrillers, are directed by women. The rare women who succeed in getting studio distribution have the unfair responsibility of representing all female filmmakers.

In the post-film discussion, the women spoke candidly about what drew them to the project – the irredeemable characters. The actresses shared how they rarely get to play complex women.  They were proud to be creating genuinely flawed characters – to challenge societal norms requiring mothers to be depicted as kind and nurturing.  And these women succeed at being brutally honest in their depiction. The audience audibly gasped as the rejected tween girls approach an unattended baby and take it from its stroller. Documentary filmmaker Amy Berg brought to the project her strength for unearthing the bitter truth.  She desiccates the mythology of motherhood – foraging through parenting decisions for far reaching consequences. What she uncovers is our hunger for nurturing, and how a lack of nurturing can have a negative impact for a lifetime.  

Director Amy Berg
Admittedly, this was an ambitious first narrative feature for documentary director Amy Berg. There was the challenge of dealing with the shifts in time and balancing the different characters’ perceptions of the past traumas. I would have liked to have seen more of the abusive home life that led to the abduction. The director shared how she formed the prerequisite thriller plot twists in the editing room. At times they felt a bit contrived. These are the kinds of mistakes that you learn from and improve with each movie you make. I hope she gets the chance to grow her unique voice.

Movie blessings!
Jana Segal
reelinspiration.blogspot.com

Monday, May 11, 2015

"Belle" Director Amma Asante Proves: What is Right Can Never Be Impossible

 Painting of Dido Elizabeth Belle and her sister-cousin exhibited at Scone Palace in Scotland
In 1761, Dido Elizabeth Belle was born the daughter of a British slave and Captain Sir John Lindsay.  She was raised by aristocratic grandparents with the privileges afforded one of noble blood. What makes this story so incredible is that her beloved grandfather was the justice of the appeals court that officiated an insurance dispute by the captain of the slave ship Zong  - a case that may have led to the emancipation of British slaves.

Writer/Director Amma Asante makes Dido’s story acceptable to mainstream audiences by dressing it up as a lavish historical costume drama, embroidered with romance, its delicate fabric interwoven with threads of relevant themes.

When Belle’s sister-cousin comes out in society, her grandparents entertain suitors.  Dido (Gugu Mabatha-Raw) is prohibited from dining with the rest of the family due to her position in society as a black woman. For the first time, Belle questions her position in society. She asks her Papa (Tom Wilkinson), “How can I be too high in rank to dine with the servants, but too low to dine with my family?”  He explains that it is the nature of order. There is an interesting dichotomy here.  Belle recognizes the injustice of that rule. But that very evening, she admonishes the vicar’s son John for breaking social etiquette by speaking directly to her - the lady of the house - when he is of a lower social standing.  Formed by her privileged upbringing, Belle upholds the very social hierarchy that suppresses her.

The vicar’s son John (Sam Reid) arrives to study law under her grandfather, the justice of the appeal court.  Dido overhears a case that her Papa is trying in which a slave ship captain is suing the insurance company for the cost of the slaves that he threw overboard to reserve water for himself and the crew.  This lights a fire in Dido to learn more about the injustices of her people.  Dido is inspired by the law student as he challenges their social system by standing up for the drowned slaves.

To shelter Dido, her grandfather forbids John from speaking to her. He encourages her to marry a gentleman for his family name to preserve her rank. This is another interesting dichotomy, as the judge is expected to rule on the merits of the case on the basis that the slaves are property or cargo, while he fights to maintain his beloved Dido’s place in society. Meanwhile, Dido’s sister--cousin is having difficulty securing a husband because she didn't inherited her father’s fortune. She realizes that ladies aren't allowed to work to earn money, nor can they inherit it if they have a brother. So essentially they are property. Everyone in this society is enslaved by the confines of their class.

While “Belle” is set in 18th century Britain, it shines a light on important issues of our time. There are parallels between Britain’s class system and our own. In America, class is distinguished by the distribution of wealth. There is a great divide when CEOs are paid $10,000 an hour, yet refuse to pay workers a living wage of $10. While Britain’s colonial economy relied on the slave trade, our market-based economy relies on paying slave wages. The lower class competes for poverty wages because the other jobs have been sent overseas where we exploit starving children and the destitute.  Right here in America, the people who harvest our food work brutal 13 hour days on an empty stomach. That brings up the question: Do we really have to exploit desperate people to show a profit?  Are we enslaved by a system that values profit over human life?

When I post a meme on Facebook to create awareness and inspire action, inevitably a “well-meaning” friend will leave a comment that there is nothing we can do, that it has always been that way. Their comments not only deflate the cause, but make me feel hopeless and powerless. That is one of the reasons I love the movie “Belle;” It inspires hope with its theme, “What is right can never be impossible.”  The movie (and history) proves this thesis. In the 18th century,  Britain’s economy was based on the slave trade.  While we had to fight a war to end slavery, Britain passed a law to abolish it. And their economy didn't come crashing down.

What was the driving force? Amma Asante's thesis is that it is was love. Belle assures her grandfather that he is brave. When he argues that there are rules in place that dictate how we live, she counters with, “You break every rule when it matters enough, Papa.  I am the proof of that.”

Amma Asante was empowered by her (sur)name sake, the Ghanaian warrior queen Yaa Asantewaa, to overcome great obstacles to get, “Belle” to the screen.  This low budget costume drama became a surprise hit grossing $104,493 on opening weekend.

“Belle” is proof that, “What is right can never be impossible.” 


Movie blessings!
Jana Segal
www.reelinspiration.blogspot.com

Tuesday, May 05, 2015

"Still Alice"


I have some resistance to watching movies on Alzheimers since witnessing my friend Grace lose herself to the disease. I can only imagine how heart wrenching it was for her husband of sixty years to watch helplessly as the women he loved slipped away. I was so touched by their devotion that I moved in to allow them to spend their last days together in their home. This fueled strong feelings of frustration, shock, fear, hopelessness, anger and deep LOVE. I found writing about it therapeutic. Sensing that other people might find strength in their commitment, I drafted the screenplay, “Walking with Grace.” I struggled with how to show the reward in caring for someone in this devastating situation. “The Notebook,” did an amazing job at that. Whenever I happen onto that movie on TV, I get sucked into it again – because of the husband’s unflinching commitment to the love of his life. It chokes me up every time.

Since then, there have been several movies on Alzheimers. Most focus on family members coping with the loss of their loved ones.  I felt the subject had pretty much been covered.  Then I watched, “Still Alice" for Julianne Moore’s Oscar nominated performance. (She went on to win a well-deserved Best Actress Oscar.) Julianne conducted in-depth research with Alzheimers patients to really get into the mind of her character. After building relationships with them, she asked what they would like her to include about the disease. She incorporated their thoughts and feelings into her part. Those insights on how a patient deals with their loss of self is what sets this movie apart and makes it so powerful.

This is the poignant story of a brilliant linguist who recognizes that she is losing her ability to understand the meaning of even simple words. That awareness is the painful part. She sees her identity fading away and can’t bear the idea of living as a shell of her former self. She struggles to hold on to her connection with her precious words, her loved ones, and her life. “I am struggling to be a part of things, to stay connected to who I once was,” she explains. She comes to the realization that she must live in the present and enjoy her last moments with her loved ones because, “This might be the last year that I am totally myself.” She pleads with her husband to spend time with her now while she is still present, while she is, “Still Alice. “


This theme has even more impact when you discover that it was being demonstrated on the set every day. Wash Wastmoreland co-directed with his husband Richard Glatzer after Glatzer was diagnosed with the degenerative disease Amyotrophic Lateral Sclerosis (ALS). (Glatzer passed away in March of this year.) What a love project! Despite his inability to speak, Glatzer was fully present and in the moment as he communicated to the actors on his ipod, 

These amazing men remind us of the importance of loving and living fully in the moment. 

Movie blessings!
Jana Segal
www.reelinspiration.blogspot.com 

Sunday, April 19, 2015

"A Girl Walks Home Alone at Night"



To be honest, I left the theater feeling a bit confused. “A Girl Walks Home Alone at Night,” was billed as an Iranian Vampire Western. But the style was more like black and white French new wave – from the smoking cigarettes, the “Rebel Without a Cause” outfit of the protagonist (Arash Marandi), his 57 Ford T-Bird, even the striped shirt the aloof vampire girl (Sheia Vand) wears under her abaya. 

Shot in the California desert, it seemed to be more about an Iranian in the West, than a Western. Aside from the avenging outsider, there were none of the fixers of a Western - no shootouts, no barroom brawls.

All I could recognize as Iranian was the Farsi language and how the young vampire wears an abaya. In Iran, women must cover their bodies to keep men from sinning. Perhaps the film is commenting on how when, “A Girl Walks Home Alone at Night,” she is seen as a temptation. But in this dark fairy-tale, the girl is actually empowered by the abaya. She sports the abaya like a superhero cape, giving her the power to walk the streets unseen as she plays avenging angel, preying on predatory men.

Perhaps it is a commentary on modern Iran. The setting is Bad City – which is certainly how Iran sees America. The streets are full of “American vices”: prostitutes and pimps, a free-spirited transgender person, drugs, and violence. Sex, drugs, and Rock and Roll. I suppose this could be a cautionary tale on the dangers of becoming too Americanized. 

Director Ana Lily Amirpour 
In an interview by Roger Corman, writer/director Ana Lily Amirpour spoke about how the movie was really about her and the loneliness she feels. It is about her Iran as seen by an Iranian expat in America. The setting is a lonely postindustrial living ghost town with a crumbling infrastructure, surrounded by stark desert with ominous oil pumps drawing black liquid from the earth. While great wealth is being made just outside its boundaries, the town doesn't benefit from it. Billboards taunt the citizens with products that few can afford. It seems that all the good has been sucked out of the town. The inhabitants are like ghosts of their former selves – before they became desperate drug addicts and street walkers preyed on by the bottom-feeder pimp/drug dealer. The loneliness is palatable as the characters are isolated by the secrets they keep. The vampire seems to feed on that loneliness.

The story takes a  bittersweet turn when this sad avenging angel vampire searches for some hint of hope for mankind as she follows a street urchin and warns him not to be bad like the other men in the town (or he might be her next feast). She makes a fleeting connection (over a shared love of rock music) with a young man who is trying to hold onto his last vestige of humanity as everything around him tries to suck it out of him. The film shares a similar theme with the, "The Babadook." This unlikely couple finds comfort in the shared connection of accepting their dark side.

Movie blessings! 
Jana Segal
www.reelinspiration.blogspot.com 

Friday, April 17, 2015

On the Wrong End of the FOOD CHAIN

I have attended the Arizona International Film Festival for ten years now. I've seen it grow into a world class festival by screening excellent independent films from Tucson and around the world. After watching several fascinating films in 2014, my ever-inquisitive fiancée, Dan Stormont, insisted that we get passes again this year. Thursday we attended the opening night screening of the enthusiastically received local documentary, "Many Bones, One Heart" (by Leslie Ann Epperson) about Tucson's All Souls Procession. Leslie really does Tucson proud! We have already gotten our money's worth in the first weekend of this two week fest.

Dan and I attend numerous films and lectures on the importance of creating a sustainable food system as research for Dan's blog on THE PINEAPPLE PROJECT (a humanitarian project to get agricultural information, such as what grows best in their area, to subsistence farmers so they can be more successful.) So we were glad to see the documentary Food Chains on the festival program.

We were deeply moved by this powerful documentary on how our farm workers are treated in this country. We were shocked to see how little things have changed since 1960 when CBS aired Edward R Murrow's documentary, Harvest of Shame. In this country that Murrow calls "the best fed country in the world," the people who harvest our food are working a brutal 13 hour day, and still aren't making enough to adequately feed and house their families.


This movie shows the courageous efforts of a group of farm workers who are rallying support for "Fair Food." This organization is standing up to grocery store chains demanding that they pay enough to provide workers a living wage and refuse to buy produce from farmers who abuse their workers. What struck me was how easy it would be to correct this problem. If we pay just one cent (one cent!) more per pound for fruits and vegetables, it would double the pay of farm workers from $10,000 to a living wage of $20,000 a year. We just need to create more awareness of the problem. Food Chains does an admirable job explaining one of the most important humanitarian issues of our time. Watch this film to see how you can help. This is doable, folks!  This is one problem we can solve. 

We want to thank the Arizona International Film Festival for creating more awareness. 

Please, help us get the word out by sharing this with your friends! 

Movie blessings! 
Jana Segal 

Dan was inspired to write about it on his blog too! 
by Dan Stormont


On the day after Thanksgiving in 1960, CBS News aired a documentary by Edward R Murrow entitled Harvest of Shame.

It documented the plight of a crew of migrant farm workers in the United States as they worked their way up the east coast from Florida to New Jersey. It showed in painful detail the long hours, hard working conditions, desolate housing, lack of education, and meager incomes earned by the farm workers brought in to harvest the crops. They often went hungry while harvesting the food that graced American families' Thanksgiving tables.

The documentary also addressed some of the causes of the farm workers' situation, like farmers who were being squeezed themselves by the large food producers and distributors who were controlling the price of crops. Farm workers had difficulty organizing to demand better working conditions. The law was rarely on the side of the farm workers. As Murrow noted, "The people you have seen have the strength to harvest your fruit and vegetables. They do not have the strength to influence legislation. Maybe we do."


Nearly 55 years later, things must be better right? In some ways they have improved slightly and there have been some gains (often followed by comparable losses). However, as the recent documentary Food Chains demonstrates, many farm workers are toiling in the fields for long hours while still not earning enough to own a home, save for the future, and care for their children. Far too many are still going hungry while picking the produce we eat. The big food producers, wholesalers, and retailers are still controlling the markets and exploiting farmers and farm workers alike.


Nothing is more important than a sustainable food chain. We all rely on it. But, right now, the food we buy at the supermarket is being harvested by people who are earning below poverty wages. Surely, we can afford one cent more per pound of produce to improve the lives of the people who harvest our food? That's how much it would cost to double the wages of farm workers..one cent a pound.

Seek Food Chains out. Watch it. Think about what it is saying and about the human stories being told. Then, take action! Don't buy food at stores that refuse to pay enough for farm workers to make a living. Demand action from your representatives. This isn't politics...it's just humanity. And it is ensuring a viable, sustainable food chain for all of us!