Monday, April 23, 2012

Arizona Filmmakers and Reel Inspiration finalists screen at FUSIONFEST

FUSIONFEST: April 28 & 29, Pima Community College N.W. Campus, 7600 N Shannon Rd.
Featuring culturally diverse independent films and topics centered on global issues.

SATURDAY, APRIL 28
11 a.m. - "Starbuck and the Bandit" by Dick Fisher and Sarah Sher
12:30pm -Film Discussion with Elhad Ndoye
"The Forgotten Children-Focus on West African Culture"
 2pm - "What You Need" - Film by Nickolas Duarte
2:30pm- "Deseo" – film by Richard Wyland (Q&A by Ty Matthews)
3pm - "389 Miles: Living the Border" by Luis Carlos Davis

SUNDAY, APRIL 29
11am - "Vicenta" - Film by Angela Soto
12:30pm - Reel Inspiration Contests Finalists:
"The Mysterious Mystery of Something Important" by Jacqueline Véissid, "Solace" by Bill Kersey, "87 Topaz" by Bill Kersey, "Garpenfargle" by Bill Kersey & Edward Kim, “Somebody Loves Me” by Derek Griffith, "Morning Submission" by Justin Mashouf, "Just Coffee" by Roberto Gudino, "Linear Progression" by Kat Kosmala, "Not to be Toyed With" by Hal Melfi and Steve Bayless, "Have Coffin, Will Travel" by Sarah Sher, "New York City Spirit" by Muriel Stockdale,
2pm - "How like an Angel" - Film by David Sands & Elizabeth DeVries
3pm - What You Need – Film by Nicholas Duarte

Saturday, April 14, 2012

The Arizona International Film Fest Opens!


On April 13 - 29, where will I be? The Arizona International Film Fest!

Last night I attended the Opening Night Carnival surrounded by film friends and circus acrobats. The best part was seeing the movie, "Shouting Secrets." Most of the audience, including some extras from the reservation near Globe, AZ. stayed after to express appreciation for this profoundly moving movie during the interesting Q & A session with Swiss Filmmaker Korinna Sehringer.

When Wesley’s mother suffers a stroke and falls into a coma, he returns home to the San Carlos Apache Reservation to be with her. Once there, he learns that his family has never forgiven him for leaving or for using their likenesses in his novel. Sehringer’s poignant drama exposes the dysfunction in an Apache family straddling tradition and modernity when the center of their world lies dying in a hospital bed. Past grudges come to the forefront as the family attempts to rediscover their emotional connections to one another.

This film screens again today and Tuesday. I highly recommend you see it while you can.


Saturday, April 14th at 1 p.m. at Crossroads Festival and Tuesday, April 17, 7:00pm at Desert View Theater. SATURDAY April 14th at the AIFF. One of the shorts, "Stardust and the Bandit" was shot right here at Old Tucson Studios by my friend Dick Fisher! I suggest that you check out the schedule because there are just so many wonderful films for every taste: animated shorts, dramatic shorts, documentaries, films for kids, edgy films, films from Arizona Filmmakers and from around the world!

Wednesday, April 11, 2012

KIDS! SHOOT MOVIES ON THE MOON!


Participants (ages 9-18) in the Short Movie Workshop will learn to use their own camcorders or cell phones to create short silent pictures with the fantasy world of Valley of the Moon as their set location. (An extra camera will be available for those who don't have your own.) We'll enjoy the beautiful spring weather while being inspired by whimsical castles and elf villages. We'll have a blast playing theater games while learning techniques for acting for the camera, script writing, storyboarding, and simple rules of video production. In the process we'll develop creativity, communication skills, confidence and concentration.


When: Saturday, May 5th, 10 a.m. to 4 p.m.
Where: Valley of the Moon
Address: 2544 E. Allen Rd. (Tucson Blvd and Allen Rd.)
Cost: $55 (includes pizza lunch)
Contact: Jana Segal
Phone: 520- 325-9175
E-mail: reelinspiration@hotmail.com
Website: http://tucsonvalleyofthemoon.com/

INSTRUCTOR JANA SEGAL
Jana Segal earned her BA in Speech and Theatre from Avila College. Her musical, "Seeker" won third place at the American College Theatre Festival. She went on to receive her MFA in Dramatic Writing from Brandeis University. Her script, “Model T Biscuits” won first place at the IFFF and Moondance screenwriting contests. Jana wrote, directed, and produced the comedy short, "The Bath-a-holic" and the Western short, "Desert Angel." Jana has taught workshops in screenwriting, storyboarding and filmmaking for children. Jana organized the Reel Inspiring Film Contest and professional level directing, acting, and screenwriting workshops for Reel Inspiration.

Technical support provided by Andy Taylor Technology and Media.

http://tucsonvalleyofthemoon.com/

Wednesday, April 04, 2012

"Most Inspiring Films 2011!"


Here it is! My "Most Inspiring Films 2011!" list. These inspiring stories stayed in my heart and mind for months after I had seen them. A recurring theme this year - is the incredible strength we get from our connection with others to overcome even the greatest loss. I would love to hear about the films that moved you too! Please, share your thoughts and favorites in the comment section below.

10) "Midnight in Paris," is Woody Allen's love letter to Paris. For me it's total wish fulfilling escapism - a guilty pleasure. It is the story of a Hollywood screenwriter who joins his fiancee and her family on a business trip to Paris. The trip rekindles his dream of being a starving writer in Paris - much to the dismay of his materialistic fiancee. He takes a midnight walk and ends up in 1920's Paris. This is a dream come true for the aspiring novelist as he mingles with great artists (Picasso!) and his literary idols including Hemingway himself! This is one of the most enjoyable Woody Allen films to come out in years. The story flows effortlessly back in forth in time, earning Woody a well deserved Best Original Screenplay Oscar. 

9) In "The Tree," eight-year-old Simone is riding in the back of her father's pickup when it goes off track and rolls into the sprawling, twisted tree shading her house. Her family's world is turned upside down - not only by of the loss of their father, but also by the loss of their mother when she retreats into a deep depression. Unable to accept that her father is gone, Simone begins to hear her father's voice in the tree. To be near him, she climbs high into the branches and sets up house. At first her mother is worried, but then she finds comfort in the idea that her husband is there. The next morning, the children discover their mother curled up in the roots of the tree. These roots threaten to destroy the very foundation of the house. Mom must grow up and find the strength within herself to protect her family. "The Tree" is captivating in its beauty, riveting in its action sequences, and poetic in its symbolism. It has a valuable theme on the importance of pulling together as a family to survive loss.

8) “Where were you when I laid the earth's foundation... while the morning stars sang together and all the sons of God shouted for joy?” "The Tree of Life" is a reflection on the meaning of life. The filmmaker uses the opening narration to give us a handle on how to understand the nature images and memories to follow. The mother meditates, "There are two ways through life – the way of nature and the way of grace. We have to choose the way we will follow.” Basically, nature is competitive and only cares for itself while grace relies on a sense of oneness with all of existence. Soon after the opening images and narration, we witness the family getting the news that one of their three sons has died. They try to make sense of the loss. This brings on a lot of soul searching about how the children were raised and inspires prayers requesting understanding of the meaning of life, suffering, and death.

7) Distracted by the appearance of "Another Earth" in the sky, Rhoda drives into a family's car killing mother and son and leaving the father in a coma. After being released from prison, Rhoda seems to be serving a self-induced penitence when she accepts a job as a school janitor. The radio announcer confirms that the earth has been duplicated. “There's another you out there. Has that 'me' made the same mistakes as I made? Maybe the other me made a better choice." Recognizing the opportunity for a second chance, Rhoda enters an essay contest to win a shuttle ride to Earth II. But everything changes when she sees a man leaving a toy robot by the side of the road where the accident happened. "Another Earth," looks like sci fi, but it is actually a very human drama. The discovery of Earth II acts as the framework to explore the life we create with our bad choices, the inherent regrets, self-forgiveness, and redemption. Despite the tragic circumstances; it is really a story of hope.

6) First off, I will admit that I am a fan. I am completely captivated by the fanciful flights of the imagination in the magical world of, "Harry Potter." If it were on TV right now, I would be watching Harry and his friends' quest to find and destroy Lord Voldemort's Horcruxes (the instruments of his power.) Because, "Harry Potter and the Deathly Hallows, Part 2" was one of the most compelling, suspenseful, awe-inspiring movies of the year and definitely the most satisfying ending to a franchise EVER.

5) Best Picture winner, "The Artist" is more than a homage to the silent film era, it transcends the form. Bigger-than-life movie star George Valentin (Best Actor winner Jean Dujarin) fades into oblivion with the decline of silent pictures as his young love interest, Peppy Miller, rises to stardom with the talkies. French director (Best Director winner) Michel Hazanavicius reinvents silent pictures by using a naturalistic, charismatic acting style and exquisite cinematography. You can see the love in every frame.

4) In, "The Help," recent college grad Skeeter is hired to write a housekeeping and cooking column – a subject she knows nothing about. She asks her bridge club friend if she can interview her maid Abileen. Upset by her friend's mistreatment of Abileen, Skeeter is inspired to write a book on the maids' perspective of working for a white family. Her editor reminds her that it is 1960 Jackson, Mississippi. She will never be able to get any maids willing to risk their jobs or their lives to talk to her. Skeeter explains, “We are raised by our black maids. They love us and we love them, but they can't use the same bathroom.” But it's the maids that make the story. Viola Davis, as Abileen, adds gravity to every scene she is in. In her carriage we see the weight of generations of oppression. But it's her friend Minny (Best Supporting Actor winner Octavia Spencer) you have to watch. After working for the segregationist bridge club president, Minny has had enough. She is a firecracker ready to explode. These women are survivors. But they have risen above that. They have stood up to their fears. They are heroes in their own civil rights protest and free women.

3) In, “The Descendants,” Alexander Payne and Oscar winning co-writers Nat Faxon and Jim Rash present a flawed main character - absentee husband and father Matt King (played with good humor by George Clooney). Sometimes it takes a catastrophic event to shake us awake from sleep walking through life. When his wife ends up in a coma, Matt is absolutely clueless about how to handle the life shattering situation and his two troubled daughters. Matt must come to an understanding of his wife's infidelity before he can fully be there for them.

2) "Extremely Loud and Incredibly Close." According to his dad, the way Oskar sees the world is a gift. Oskar's overly active mind continuously scrutinizes the connections he observes in order to make sense of the physical world. Things he can't observe - like people's feelings - are elusive and frightening to him. His dad would challenge him by sending him on reconnaissance missions (to learn to talk to people.) When his father is killed in the 9/11 tragedy, Oskar is ill-equipped to make sense of the senseless act. Then he discovers a key in an envelope with the word BLACK written on it and a newspaper clipping indicating that he should keep looking. Did his father leave him one last message locked away somewhere in the city that only this key can open? As Oskar compulsively traverses the five boroughs in search of the lock, he inadvertently learns the lessons his father set out to teach him about connecting with other people. The quest gives him a concrete method to deal with a tragedy that makes no sense.

1) "Buck" is a pret'near perfect picture. You have your likable hero, Buck Brannaman, a wounded soul who overcame an abusive childhood and personal weaknesses to forge a better path in training horses. His experience taught him to be an empathetic, intuitive reader of horses and people. The thing that really stands out in this film is its humanity. Through working with their horses, the owners are transformed. They learn to let go of trying to force their will on others. “If you find a way to fit this thing right here, it'll make you better. It'll make you better in areas you didn't think related to horses.”

Movie blessings!
Jana Segal

*SCROLL DOWN FOR LONGER REVIEWS OF THESE MOVIES BELOW.

Monday, April 02, 2012

"Harry Potter and the Deathly Hallows, Part 2"

OK. I know this is a tad late and the Harry Potter franchise doesn't need my help promoting it anyway. But I wanted to include it on my, "Most Inspiring Films" list - so here it is. First off, I will admit that I am a fan. I am completely captivated by the fanciful flights of the imagination in the magical world of Harry Potter. If it were on TV right now, I would be watching Harry and his friends' quest to find and destroy Lord Voldemort's Horcruxes (the instruments of his power.) Because, "Harry Potter and the Deathly Hallows, Part 2" was one of the most compelling, suspenseful, awe-inspiring movies of the year and definitely the most satisfying ending to a franchise EVER.

Director David Yates and screenwriter Steve Kloves nicely tie up all the story-lines and resolve relationship issues while sending us on roller coaster ride of adventure. But what makes, "Deathly Hallows," so satisfying is that Harry is no longer isolated in his quest. My heart cheered as the whole school of Hogwarts united in the fight against Voldemort - in one of the most suspenseful sequences I've seen in a long time.

Perhaps one of the reasons that it is so suspenseful is that I've really grown to care about these characters - hogwarts and all. In this final installment of the series, Harry finally comes to grips with his darkside. In fact, he gains greater strength and wisdom from conquering it. There is a deep satisfation in knowing that our heroes are as flawed (if not more so) than the rest of us, yet they still make a difference in their world.

Movie blessings!
Jana Segal
www.reelinspiration.blogspot.com


Sunday, April 01, 2012

Jana's Guilty Pleasure - "Midnight in Paris"



"Midnight in Paris" is Woody Allen's love letter to Paris. For me it's total wish full-filling escapism. I can watch it over and over just to be in Paris during artistic Renaissance of the 20s and hang out with the visionary artists of the time. It is the story of Gil, a Hollywood screenwriter, (Owen Wilson in the Woody Allen role) who joins his fiancee (Rachel McAdams) and her family on a business trip to Paris. Being in the "City of Lights" rekindles his dream of living in Paris while he writes his novel. Unfortunately, his fiancee and her parents have more lucrative plans for him. In an effort to escape the ensuing conflict, Gil takes a midnight walk and ends up in 1920's Paris. This is a dream come true for the aspiring novelist as he mingles with great artists (Picasso!) and his literary idols including Hemingway himself! His heroes become his peers and even give him advice as he pursues the enchanting young model who eventually becomes his muse.

It is unusual for such a lite-weight romantic comedy to win an Oscar for Best Original screenplay. But, "Midnight in Paris," is highly original.  The action shifts effortlessly back and forth between two time periods. That takes real writing chops. At least Allen has placed his alter ego in a fresh new setting.  In fact, this is one of the most enjoyable Woody Allen films to come out in years.

Have you ever had the feeling that you were stepping back in time as you strolled down a narrow cobble stone street or visited the old haunts of a favorite writer? Then, "Midnight in Paris," should delight the romantic in you and maybe even inspire you to follow your true passion.

Movie Blessings!
Jana Segal
www.reelinspiration.blogspot.com


Saturday, March 31, 2012

"The Artist" Reinvents Silent Pictures

O.K. I didn't want to like "The Artist." I've had it up to here with Hollywood remakes. Even Broadway is adapting Hollywood blockbusters for the stage. Is there an original idea out there! At the last Screenwriting Expo, more than one manager insisted that to break into the biz, you should take an old story and put a new twist on it. And to be honest, it worked reasonably well for the Cinderella remake, "Enchanted." (Though the over the top Alladin climax was a mess.)

So I should be morally opposed to, "The Artist," because it puts two old stories together – the over done, "A Star is Born" and "Singing in the Rain." Bigger-than-life movie star George Valentin (Best Actor Oscar winner Jean Dujarin) fades into oblivion with the decline of silent pictures as his young love interest, Peppy Miller, (the lovely Bérénice Bejohe) rises to stardom with the talkies.

French director (Best Director winner) Michel Hazanavicius chose to make a black and white silent picture. I'll admit here that I'm not a big fan of silent movies because I can't stand the fake, theatrical posturing and mugging. But, "The Artist" transcends the limitations of the silent form. Michel reinvents silent pictures by using a naturalistic acting style, exquisite cinematography, and modern storytelling devices such as opening with a silent film within a silent film. But what really makes it stand out are the clever, charming moments. In one touching moment, Peppy snuggles up to Valentin's jacket on the coat rack as if she is embracing the man. The actress is so totally invested in the hug that when Valentin catches her, he flashes a surprised, then amused grin that lights up his whole face. Sigh. Did I mention the incredible chemistry between these two charismatic actors?

A Facebook friend complained that Dujarin won best actor without uttering a word of dialogue. (Did he actually see the film?) But, as they taught us in Film 101, a movie is moving pictures. You should be able to understand the story with the sound turned off. Jean Dujarin, as George Valentin, goes through a full character arch from arrogance to falling in love to hitting rock bottom without the crutch of dialogue. And he kept me engaged in every scene. And he can tap dance! I'd say the Oscar was well deserved.

"The Artist" is more than a homage to the silent film era, it transcends the form. It presents a universal theme: When the old ways no longer work, ego may hinder us from adapting to the new ways, but in the end love conquers all.

It's not hard to see why it won Best Picture. You can see the love in every frame.

Movie blessings!
Jana Segal
www.reelinspiration.blogspot.com

Wednesday, March 28, 2012

"The Descendants"


There are times in our lives when our world comes crashing down and we are completely unprepared. Shocked and clueless, we grope around making awkward attempts to deal with the overwhelming situation or to just get by. Like the day my whole life was thrown out of whack when my husband of 23 years announced he wanted a divorce and moved out that afternoon. I did my share of groping to find my footing - not always handling it with the best of grace.

I guess that's why I relate to Alexander Payne's, “The Descendants.” Payne (and Oscar winning co-writers Nat Faxon and Jim Rash) aren't afraid to present a flawed main character, Matt King (George Clooney), who is absolutely clueless about how to handle the life shattering situation he finds himself in when his wife ends up in a coma as the result of a boating accident. To add insult to injury, he discovers that she was cheating on him at the time. It's a one-two punch that leaves him stunned and reeling.

Matt lives in Hawaii, in paradise, but has been so caught up in business transactions that he can't take in the beauty around him. His time has been spent negotiating deals with vacation resorts and condos to sell the pristine forest entrusted to him and the other descendants. This piece of land represents all that he has lost in his life. There was a time that he took his family on regular camping trips there. But he has lost his connection with the land and his family. He has become an absentee husband and father. In fact, he is absent from his own life.

Sometimes it takes a catastrophic event to shake us awake after sleep walking through life. (It took my husband leaving me...) Having been JOLTED awake, Matt is ill equipped to deal with the fall out from the accident on his two troubled daughters. George Clooney brings out the humor as his character gropes around trying to make some sense of the whole mess. When he hears that his wife was cheating, Matt, still in shock, charges off in his clumsy flip flops around a ridiculous circular drive – in search of answers, anything... Later, we can see the inner turmoil in his eyes even as his daughter splashes in the ocean and life goes on around him. Once he has dealt with his own issues, he is better equipped to help others cope with the tragedy. Finally fully awake, Matt sees that he is a part of something bigger than himself. He realizes his responsibility to the land, himself, and those around him. Procuring his place in the world puts his problems in perspective.

As for me, I'm grateful to be awake and learning life's lessons.

Movie blessings!
Jana Segal
www.reelinspiration.blogspot.com

Thursday, March 15, 2012

"Extremely Loud and Incredibly Close"

What you might not know about me is that despite a fairly embarrassing learning disability (I was the one kid in my school who was in both special education and the gifted program), I actually have a very active problem solving mind. I loved unraveling the enigma that was the "Tree of Life" for my review on reelinspiration.blogspot.com. I loved every minute spent solving the puzzle of what really happened behind the gunfight at the OK Corral for my Tombstone comedy. So it's no wonder I greatly enjoyed, "Extremely Loud and Incredibly Close." It basically takes the audience on a problem solving reconnaissance mission. To be honest, I relate to it in other ways as well.

According to his dad (adorably played by Tom Hanks), the way Oskar sees the world is a gift. Oskar's (Thomas Horn) overly active mind continuously scrutinizes the connections he observes in order to make sense of the physical world. Things he can't observe – like people's feelings (including his own) - are elusive and frightening to him. For a boy in need of concrete answers, even the inconclusive results of his Asperger Syndrome test are unsettling.

His dad's gift was to find creative ways to challenge his son. Their favorite games were reconnaissance missions. One such mission was to search the five boroughs of New York for something from every decade. In the process, Oskar spoke to people from all walks of life. The purpose being to overcome his fear of interacting with people. True to form, Oskar comes up with a concrete answer to the riddle – a rock.

When his father is killed in the 9/11 tragedy, Oskar is ill equipped to make sense of the senseless act. His mother (Sandra Bullock) buries an empty coffin in an awkward attempt to make his father's death more real for him and Oskar is outraged at yet another senseless act. Searching for some part of his father to hold onto, Oskar digs through his father's closet and discovers a key inside an envelope with the word BLACK written on it and a newspaper clipping indicating that he should keep looking. Did his father leave him one last message locked away somewhere in the city that only this key can open? The audience is invited along on one last reconnaissance mission. We observe as Oskar constructs an elaborate filing system to chart all the people in the city named Black and set off with him in search of the answer.

Oskar becomes obsessed with this mission because it is the only way he can feel connected to his father. As Oskar compulsively traverses the five boroughs in search of the lock, he inadvertently learns the lessons his father set out to teach him. He makes connections with other New Yorkers with their own stories of heartache from 9/11. The quest gives him a concrete objective enabling him to deal with unmanageable feelings of guilt, fear, grief, and redemption. He faces physical manifestations of his fears – such as crossing a bridge - that he can overcome. The quest gives him a concrete method to deal with a tragedy that makes no sense.

Thomas Horn does a fine job creating a sympathetic character with some very unsympathetic Aspberger traits. The young actor handles both the intensity and humor effortlessly. But not all the credit goes to the actor. For the benefit of the writers out there, I'll share a writing device that the was successfully used by screenwriter Eric Roth. Considerable time was spent setting up the father's love of the boy and his gifts - so we are already rooting for Oskar well before we witness his negative traits (being rude to the door man and the intense meltdowns).

One of my readers suggested that I include more of my opinions on the films. There was one thing that bothered me a bit. The movie went on well beyond the point where I felt there could have been a satisfying ending – presenting several resolutions. But that was the result of the multi-layered story. That's a price I'm willing to pay for a story with some depth.

I believe one reason we go to the movies is to find meaning in the senseless events of our lives. Perhaps there is no way to come to a solid understanding of the senseless act that was 9/11. But "Extremely Loud and Incredibly Close," offers hope that we can find some comfort in our shared experience and our connections with others.

Movie blessings!
Jana Segal
www.reelinspiration.blogspot.com